School of Fine Art
The virtual showcase has been designed to enable graduating students the opportunity to show work to a public audience in this period of national and international lockdown. This initiative gives graduating students a platform to make a creative response to this unprecedented situation in which we, in the arts, can only meet in the virtual world.
The virtual showcase represents the amazing work of our graduating cohorts, enabling them to present their ideas, working practices and artwork to a public audience. This is an opportunity to see the work produced during their time at The Glasgow School of Art and an important moment in difficult circumstances. It is a reflection upon, and testament to, the incredible work being made, its diverse and truly inspirational approaches to making and how art works in this brave new world.
The showcase profiles two distinct groups of students from the School of Fine Art: the work of the graduating BA Fine Art cohort including Painting and Printmaking, Sculpture and Environmental Art and Fine Art Photography and, the work of the graduating Master of Fine Art students.
Everyone in the School of Fine Art would like to wish all of the graduating students the very best for their future.
Professor Alistair Payne
Head of the School of Art
Featured
Lockdown Studio Tour
A look at work by Painting and Printmaking graduate Sam M Harley. A chance to see how she has been managing to create work since lockdown as well as an →
Events
Scripts for Production, Modes of Forgiveness
Live: 29 May 2020 at 18:00
Scripts for Production, Modes of Forgiveness is a look backstage of the everyday life performance. Bodies fall in and out of digital sync as they begin to share one woman’s →
7 Trees
Multi-Channel Video, Sound Design: Otis Jordan, Additional Sounds Dexter Stokes Mellor. Germany, 2020. 23.73 seconds, is the fastest time any known person has run between these 7 trees in Bleckede. 23.73 Sekunden ist die schnellste Zeit, die je ein Mensch zwischen diesen 7 Baumen in Bleckede gelaufen ist.
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Reed Thicket
Single Channel Video, 2020, Germany.
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Movement Development
Sketchbook pages, Development through movement and intuitive play, 2020, Bleckede. My method of making is a reaction to the outdoors. When encountering natural formations, they inspire me to use my body as a player, the slanted tree turned into the proscenium arch of a theatre, calling for action beneath.
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Running
Sketchbook page, Bleckede 2020. Development through running, the reeds acted as visual instrument, the sound and the fragility of the plant became the play-element.
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Alternative Guide for Walking
Pages from Publication made in Collaboration with Jess Hay, Sofie Keller and Rosie Trevill. 2020, Scotland. A publication documenting a walk between Arrochar and Inveruglas. The work is photographic and written, produced both independently and collaboratively. Landscape has often been seen as a place for conquer, dominance and physical strength, this publication challenges these ideals, reverting the stereotypes and using walking and landscape as a safe space for conversation and free making. Veering away from the path is not just advised but encouraged. Four visual practitioners in collaboration, focusing on the outdoors as a space to discuss identity politics, and community-based making.
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As a Graduating student at the Glasgow School of Art, I would like to state my support for the Pause or Pay campaign. Please read the manifesto here: http://www.pauseorpayuk.org
Pride of Plates
Pride of Plates
Pride of Plates
Husband Frame #1
Husband Frame #2
Magician Frame #1
Husband
Magician Frame #2
Wife Frame
Husband Model
Works in Progress
Magician's Head
Magician's Head
This Is the Trick
Digital video, 9min 21sec, 2020.
a collection of watchings, not far from the tree’
A collection of work from the simulated exhibition - a result of no degree show. This work consists of a dreamlike sequence, following the movement and migration of birds to light and freedom. The thinking comes from deep subconscious exploration which happens as we sleep. Satellites that roam the Earth’s orbit, pick apart our lives image by image but the thought of constantly being watched does not keep us up at night. To be free from watchings, but to be a watcher myself…the contradiction keeps me up at night.
Hand-Held Flight’
Plaster cast hand. Wire and gum strip bird model. 2020.
Price: £Available on request.
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The Practice of Watching’
Using small technologies to relate our experience beyond normal conventions. Being watched and being aware - how does the viewer respond? Captivated by our own digital reflection, yet we seek relief from digitisation. Consumed by the constant pressure of technology and our need to compete for speed, when we are confronted by our inclusion in this habit, we slow down. Nature of the human condition, evolution through the digital age. [The camera was to be hung in a model bird, flying above the degree show space, viewers being watched as they enter the room. Yet to be realised.]
above’
Printed publication. 2020.
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Not Me’
Chalk on blackboard. 2020.
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Drawings on cartridge paper. 2020.
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Bird’s Chirp’
Billions of years ago, two black holes collided. Each thirty times the mass of our sun, and releasing fifty times more energy than all the stars in the universe, in a fraction of a second, two black holes were overcome by colossal gravitational pull, forcing collision. Releasing gravitation waves that raced across the Universe for billions of years, we recorded their frequency. The sound was small and quiet, but distinct. It sounded as though a bird had chirped. Is this a message from the Universe? Hand embroidery. 2019.
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Chalk drawings on pavement. Amsterdam. 2019.
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a collection of watchings, not far from the tree’
An adapted degree show proposal for the simulated exhibition. Work produced during quarantine, without a studio, in my flat.
degree show proposal'
Degree show proposal, yet to be realised.
Paddles
Silver Gelatin Print
1.1: Having grown up on a farm, agricultural life is an intrinsic part of my approach to the land. Throughout this past year, I have returned to the landscape of my adolescence, making images that speak, not of an unblemished landscape, but one that is worked, cultivated and bears the traces of those who live upon it. In these images, I wanted to evoke a conflict between freedom and isolation - its capacity for healing, as well as the dynamic of violence it inhabits.
Broom
Silver Gelatin Print
1.2: Within my work, motifs of agricultural rural life are evoked in pursuit of a question of identity. The notion of agriculture, in itself, seems to me to represent an exertion of control over an entity which is always necessarily changing - aways in flux. A life, then, spent at the mercy of the land, the weather and the ecosystem which comprises it, goes beyond ‘pathetic fallacy’ in my work. It was, rather, a fact of my upbringing and, as such, it is these same elements which coalesce, in my work, around ideas of trauma, sexual revelation and the formation of adolescent identity.
Fence
Silver Gelatin Print
Wasp Trap 1
Digital Image
2.1: In this series of 3D-modelled images, I looked at mechanisms of entrapment - specifically, wasp traps. Commonplace in farmhouse kitchens in late summer, these objects evoke a question of culpability. Understood from either perspective, the figures on either end of this system can be considered perpetrators or victims of violence
Wasp Trap 5
Digital Image
2.2: I have understood the figure of the wasp, that of a supposed pest species, in terms of my own queerness. Its treatment as a nuisance, as well as the effort towards containment, is represented in these traps, their very form alluding to the physiology of the wasp, as well as to erotic imagery.
Funnel Trap
Digital Image
2.3: These works are not presented in physical form, but rather as designs. I am interested in objects which pre-empt creation, delivering an emphasis on the conception of an object or system, tying the work more closely to the hand of its author. In this instance, the conception of the work - the effort to bring it into being - is a reflection of the artistic impulse to define and conclude upon an entity.
Buck
Video (Still)
3.1: Beginning with a script, this work tracks the becoming of a theatre play through documentation of its rehearsal. The story follows that of a horseman who is killed in battle, and whose saddle comes to life in order to exact revenge for its ill-treatment.
Buck
Excerpt from Script
3.2: The narrative is based on the Japanese myth of Tsukumogami, or “tools-spectres”. Within these tales, functional, inanimate objects inherit spiritual agency following maltreatment by their owners. Following their freedom, however, the spectres begin to enact their own malevolence, undoing our sympathy for them. This same trope of magical-becoming is prevalent in western culture in examples such as Charles Perrault’s “Peau d’Âne” and Aardman’s “Wallace and Gromit: The Wrong Trousers”.
Buck
Video (Still)
3.3: In bringing consciousness and animacy to the inert saddle, I wanted to tie its functionality to an idea of imprisonment. While the saddle is not the victim nor the perpetrator of entrapment (each role, in turn, embodied by the characters of the Rider and the Horse), it represents the tool, and, therefore, an ambiguous position in this dynamic of culpability.
Buck
Video (Still)
Buck
Excerpt from Script
Buck
Video (Still)
3.4: Working with performers, roles are not assigned to particular actors. Instead, various figures act out scenes repeatedly with changing roles, the video cut so as to fragment the narrative of the play. The conflict of the play loops back on itself endlessly, denying the viewer of the resolution that theatre normally would bring.
Ropewalk
Performance (Documentation)
4: In this collaboration with Rosie Trevill, made for the exhibition ‘Hopelessly Devoted’ (The Garment Factory, June 2019), we presented a performance work, utilising a script written between the two of us. The performance passes through a series of movements as we operate a handmade rope-making machine, reciting our text as we do so. The rope that we produced during the performance, as well as the words that we spoke, reflect a dichotomy between something that bonds and something that binds.
a storm, progress
(video stills), single channel video, 2020 (UK/Spain/South Africa)
a storm, progress
(video stills), single channel video, 2020 (UK/Spain/South Africa)
a storm, progress
(video stills), single channel video, 2020 (UK/Spain/South Africa)
a storm, progress
(video stills), single channel video, 2020 (UK/Spain/South Africa)
BREAK.FAST, I
2020 : 35 mm : 100 ISO : Colour Negative Film
BREAK.FAST, II
2020 : 35 mm : 100 ISO : Colour Negative Film
STITCHES
2019 - 2020 : 120 mm : 160 ISO : Colour Negative Film and Digital Paint
A Hole in the Sky
2019 : 120 mm : 160 ISO : Colour Negative Film
Observer
2019 : Moving Image : 51 seconds
Three
2019 : 120 mm : 400 ISO : Colour Negative Film
Untitled
2019 : 120 mm : 160 ISO : Colour Negative Film
Forest
2020 : Concrete
Studio-lab
2019 : 120 mm : 160 ISO : Colour Negative Film
Lichen
2020 : Digital Book : Moving Image : 21 seconds
Composite Space
2020 : Steel and Concrete
Bike
2019 : 120 mm : 160 ISO : Colour Negative Film
The sea is here, still (printed on pearl white paper, a diagonal line drawn with pencil). This is one of the examples of how the piece has evolved. Plans for displaying this would be to frame the piece and have it displayed with another piece of the sea with black shore, in which another line is drawn through.
Untitled, Installation with a fold upon paper on the wall, variation of The sea is here, still. This is the fold of a thing against a surface.
Image: detail screenshot from Untitled Installation on GSA Graduate Showcase. This is a found piece, in the absence of showing work in the physical space, I noticed a metaphor within the virtual space. The arch of leaves and their placement over the ‘sea is here, still’ is an enfolding, referencing the form of the sea wave.
Folding Skies
This piece has developed through layers of meanings.
red lorry, yellow lorry, blue car
3x3 grid of photos from the photography series ‘red lorry, yellow lorry, blue car’: a collection of over 100 photographs of red, yellow and blue cars together in and around Glasgow taken over 3 years. “Over the past 3 years living in Glasgow. When walking around the city, I’ve been spotting red yellow and blue cars all parked together in an array of different ways and circumstances. From vans, to minis, from lorries, to limos. These three colours of vehicle have been spotted all over this great city time and time again. For me personally when spotting these cars, I tell myself it is a sign of good luck and good things to come, as if the universe is looking out for me and has my back just like the three colours do” – extract from the zine
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selection of zines
A selection of zines I’ve made throughout my time at GSA including: ‘BMX’, ‘I sneez in my sleep vol. 12’, ‘2-0’, ‘favorite is my favourite’, ‘grass ceiling’ (with captain arm band) , ‘bye bye wimbo’, ‘no signal’ and ‘red lorry, yellow lorry, blue car’.
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The craziest gang member #4
Oil pastel and Crayola crayon on A2 paper. a collection of drawings of vinny jones taken from panini and merlin sticker books from when he played for Wimbledon fc. all drawings done in crayon and oil pastels. Also made into a zine and made back into stickers.
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rhine-cone #1
A no waiting cone covered in 30,000 red, yellow and blue rhinestones on a rotating turntable.
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bye bye wimbo, banger car 2
Colour film photograph taken at the last ever banger racing event at the Wimbledon stadium. Has been printed for exhibits in Glasgow and London scaled up to 107cm x 164cm.
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sports direct sculptures
Acrylic paint on Air drying clay and glazed. 15cm x 16cm x 3cm (box) 10cm x 1.5cm (pen) A series of items that sports direct sell made out of clay and then painted. I have started this series during quarantine and am planning to keep on making more including sports direct playing cards, hot water bottles and extension leads.
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ball #3
Felt tip pen on A4 yellow paper. 1 of 6 drawings of classic footballs drawn into rectangles.
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no signal #7
Felt tip pen on canvas 12cm x 18cm. 1 of 12 drawings of a series of felt tip drawings on canvas about frustration taken from tv screens, computer monitors, projectors and other crap tech that i couldn’t get to work. Also made into a zine.
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the craziest gang member #4
Oil pastel and Crayola crayon on A2 paper. a collection of drawings of vinny jones taken from panini and merlin sticker books from when he played for Wimbledon fc. all drawings done in crayon and oil pastels. Also made into a zine and made back into stickers.
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hand crab / photograph from series titled ‘toss’
A colour film photography series an ongoing colour film photography series taken on a half frame camera. Photographs taken in various places and events in the UK since mid-2019. I am working on making this series into a book/zine when I am able to get my self to a good printer once quarantine has ended.
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photo from ‘get home safe’ exhibition at living room gallery
Panoramic photograph from ‘get home safe’. A solo show curated by myself and gabby day at living room gallery. Show casing a range of different work including: sculptures, drawings, video work and photography. the room was filled with work on the walls, on the built in shelfs as well as the mantle piece also a TV showing a video piece in a little cubby hole. There where over 10 different bodies of work at this show and a packet of transform-a-snacks for everyone who came thru.
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Alternative Guide for Walking: Photographs
Alternative Guide for Walking responds to the outdoors as a space to discuss identity politics and community-based making. The project resulted in a publication, which included photographic and written work, produced both independently and collaboratively, whilst walking between Arrochar and Inveruglas. Each outcome included in the publication was made in response to a series of guidelines written by the group before the walk, which provided construct and intentions for making whilst walking. The overall project focused on providing new narratives and removing old preconceptions surrounding walking, forming a new outlook towards our environments and community groups.
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Alternative Guide for Walking: Photographs
Alternative Guide for Walking responds to the outdoors as a space to discuss identity politics and community-based making. The project resulted in a publication, which included photographic and written work, produced both independently and collaboratively, whilst walking between Arrochar and Inveruglas. Each outcome included in the publication was made in response to a series of guidelines written by the group before the walk, which provided construct and intentions for making whilst walking. The overall project focused on providing new narratives and removing old preconceptions surrounding walking, forming a new outlook towards our environments and community groups.
Price: £ on request
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Alternative Guide for Walking: Publication
Black & white digitally printed 40 pages publication, perfect bound with soft cover, 12 x 20.5cm. A collaboration with Jess Hay, Sofie Keller and Silke Zapp. Originally presented at the Lunchtime Gallery, 2020. Writing within set guidelines and whilst producing photographic imagery forms new variables in language compared to writing freely. The text included within this page is a response to the following guideline: ‘When the space allows it, each split off and take as many steps as you feel necessary. Find a space for yourself and write a reflection on your surroundings.’ This pocket-sized guide has been designed to be recreated by others, which includes the guidelines towards the end of the book, so that others are encouraged to reconsider new forms of walking. This collaboration is a continuing project, with its next iteration being a public walk that invites others to walk with us and further expand the conversation.
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Something Now
A bare hand lifts to wipe screen-printed words from a glass surface with saliva as the glass swings back and forth, leaving a murky cloud of ink. Within this short moving image, the easy removal of language, memory and the fragility in emotion are each contemplated. With a strong focus on the layout and surface of the text, the flat perspective seen in the work forms a midway between a written or photographic work and a sculpture.
placeholder for a power of sorts ii
Silicone cast antlers, 23 x 63cm. These antlers cast in silicone lack the structural integrity of their porcelain counterparts, placeholder for a power of sorts i, creating a clear juxtaposition that reflects the removal of power, and fragility. Considered within this are the themes of gender politics, hunting, and ritualism.
Ropewalk (Stills)
A collaboration with Sean Kemp, consisting of a 20 minute performance and a sculptural installation at the Garment Factory, as part of the group show Hopelessly Devoted, 2019. Surrounding the ritual creation of a rope, Ropewalk is a dialogue focusing on the dynamics of power and migration. This work foregrounds the process of traditional rope-making methods, demonstrating the act of making as an act of healing. The movements constructing the rope are accompanied by spoken word and throughout both actions, the concepts of constraint, bonds and navigation are discussed.
Ropewalk (Stills)
A collaboration with Sean Kemp, consisting of a 20 minute performance and a sculptural installation at the Garment Factory, as part of the group show Hopelessly Devoted, 2019. Surrounding the ritual creation of a rope, Ropewalk is a dialogue focusing on the dynamics of power and migration. This work foregrounds the process of traditional rope-making methods, demonstrating the act of making as an act of healing. The movements constructing the rope are accompanied by spoken word and throughout both actions, the concepts of constraint, bonds and navigation are discussed.
Ropewalk: 609 Swallow
Black vinyl lettering, 2 x 13cm. Alongside the live performance, Ropewalk included a series of site specific installations of vinyl lettering. Throughout the building, a series of numbered swallows were placed in unsuspecting places, such as bathroom sinks, stairwells and lifts. The swallows are an indication and reflection of the script performed, to which the act of swallowing and the bird in migration are two pivotal motifs.
Scripts, or manifestos
Screen-printed textiles, each 74 x 270cm. Scripts, or manifestos is a five part series following a longer exploration of displaying language. The works are made to be activated by viewers, through being read aloud and turned on a hand built metal wringer, which allows the text to be read from either side by two viewers. Within this work, there is a consideration towards how language develops when read together, compared to being read alone. This is pertinent to the critique of broken systems, both within institutions and throughout political hierarchies, included in the text. The language reflects upon personal experiences as well as a universal human condition, written over a ten month period. It has developed through other forms of printed mediums and sound works.
Pause or Pay Campaign
As a graduating student at the Glasgow School of Art, I would like to state my support for the Pause or Pay Campaign. Please read the manifesto here: www.pauseorpayuk.org
Sacrosanct Statement
Icthys
Digital Image
Sun
Digital Image
Soil
Digital Image
Archangel
Digital Image
Icon
Digital Image
Pilgrim
Digital Image
Mother
Digital Image
Family
Digital Image
Likeness
Digital Image
Monument
Digital Image
Climb
2019, Giclée Print 60 x 45cm, Edition 1/5 Framed
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Dip
2020, Giclée Print 60 x 45cm, Edition 1/5
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Edge
2020, Giclée Print 60 x 45cm, Edition 1/5
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Omission
2019, Giclée Print 64 x 85cm, Edition 1/5 Framed
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Flip
2019, Giclée Print 60 x 45cm, Edition 1/5
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Chamber
2019, Giclée Print 60 x 45cm, Edition 1/5
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'Gaps between Gaps' Exhibition
Stallan-Brand, Glasgow March - April 2020
'Climb' - Installation
'Gaps between Gaps' Exhibition
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Generated Worlds
Randomly generated worlds coded in Python
We Tell Ourselves Stories In Order To Survive
Materials: 8 stones 28cm x20cm x 7cm Snowcrete, Silver sand, Jesmonite pigment, text, sound Temporary public intervention that took place on the foreshore of Troon beach, Scotland, January 2020 In an effort to explore individual and collective mourning I made eight concrete slabs and I engraved on each of them a word. Once they were put in the foreshore, they formed the sentence “We Tell Ourselves Stories In Order To Survive”, an appropriation of Joan Didion’s famous nonfiction novel. The foreshore or littoral zone is the area of the shore between the high and low watermark and it is property of the Crown Estate according to UK law. It is a dividing line between the sea and the land. It signifies a border of its own right, an ambiguous territory between ownership and public rights, citizens and sovereign. This foreshore becomes a political space, a grey area of exception, in which both jurisdiction and citizenship are performed by individuals and the governing bodies. Drawing from contemporary border politics and Agamben’s “Bare life”, a term that characterises human condition in its lowest levels, as well as “zones of indistinction” such as detention centres where migrants live without rights and citizenship, I attempt to understand their experience, honour their presence and mourn their absence by creating an anti-monument for the marginalised and excluded. This intervention signifies a “zone of anomy” between law and lawlessness, autonomy and sovereign. An action and ephemeral performance that rejects notions of power in the public space.
IN THE END THERE WILL BE MORE, 2019 (ONGOING)
Materials: 10-inch Red Latex Balloons, Helium, Air, Text, Red Ribbon
Wendy Brown in her “Undoing of Demos” unravels how Neoliberal reason has affected civic life and how democratic ideas could be under threat by shifting the political character of a democratic regime to the economic one of Neoliberalism. This work is an attempt to discover ways of resisting in an era where virtually anything takes a form of exchange. Exploring the notion of collectiveness, I asked my peers to trust me with their anonymous most secret desire in an exchange for someone else’s. Without reading any of the text, I placed the paper inside the balloons filled with helium and my own breath. These desires were placed inside a fragile, innocent and at the same time violent object. Popping a balloon is a violent act, the sound is very similar to a gunshot. I wanted to observe how many people were willing to keep the desires safe and how many were willing to act “violently” in order to exchange theirs with someone else’s. The majority selected the latter, resulting in the burst of the objects while only a few were happy to give away their desires without receiving anything in return. These fourteen non-human entities have remained standing, free and resilient to modes of exchange. They transformed into a temporary autonomous public sphere. They acquired a life of their own; with my breath and other people’s “voice”, through their temporality, they become eternal.
A sculptural piece imitating the movements and reflections of water giving the visitor the illusion of being in the landscape of the water.
As sun shines through the metal mesh, it shimmers like water.
‘Speaking to Water’ Practicing Ho’oponopono technique in Turkish with a glass of water. Seni seviyorum, özür dilerim, lütfen beni affet, teşekkür ederim - I love you, I’m sorry, please forgive me, thank you.
Creating reflections on the wall by manipulating the mesh with light.
Water is fluid, soft, and yielding. But water will wear away rock, which is rigid and cannot yield. As a rule, whatever is fluid, soft, and yielding will overcome whatever is rigid and hard. This is another paradox: what is soft is strong. -Lao Tzu
Photographic work, observation of the landscape.
Altar
Digital Photograph, 2020
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Bittersweet Escape
Photographic Documentation of Cocktail, 2020
Rückenfigur
Digital Photograph, 2020
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The Elixir of Quietude
Photographic Documentation of Cocktail, 2020
Mind
Digital Photograph, 2020
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Not Lost Just Somewhere Else series.
Digital Image. 2019.
Not Lost Just Somewhere Else series.
Digital Image. 2019.
Not Lost Just Somewhere Else series.
Digital Image. 2019.
Not Lost Just Somewhere Else Installation.
3x Backlit Film Print on Electroluminescent Light Panel & 4x Speakers. 2020.
NOT LOST JUST SOMEWHERE ELSE & ACHERONTIA INSTALLATION.
3x Backlit Film Print on Electroluminescent Light Panel, 4x Speakers & 2x Slide Projection. 2020.
Acherontia Development.
Slide Projection. 2020. Text by Patrick Süskind – excerpts from the novel Perfume.
[ ] series.
Resin & Acetate Print. 2019.
Price: £500
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[ ] series.
Resin & Acetate Print. 2019.
Price: £500
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[ ] series.
Resin & Acetate Print. 2019.
Price: £500
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[ ] Installation.
3x Resin & Acetate Print. 2020.
Lighter than air
Lighter than air
Good Country
hrough a study of place, material and memory, this project attempts to describe that which exist outside of language. It is a song to the natural world and the nature of joy, a celebration of that which remains undescribed.
Good Country
Glider
Glider
Untitled Greek film
This yet to be titled project follows a somewhat ambiguous drive into the cretian mountains. It is a personal archive that, despit the fleeting nature of time, speaks for the importance of exploration.
untitled WIP
A conversation between two mediums. Being both the camera and the clay, the maker and the archiver.
Hold I
Athens, July 2019
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Watch
Agafay Desert, Morocco, December 2019
Across III
Marrakech, December 2019
Sailing Heart
Vinyl Lettering - Triptych of poems installed at Waterstones Sauchiehall Street store, for Hawk collective group Show: Glider, March 2020.
Intimacy
Vinyl Lettering - Triptych of poems installed at Waterstones Sauchiehall Street store, for Hawk collective group Show: Glider, March 2020.
Blood Moon's Kiss
Vinyl Lettering - Triptych of poems installed at Waterstones Sauchiehall Street store, for Hawk collective group Show: Glider, March 2020.
Breathe
A video encompassing spoken word upon themes of vulnerability and our admittance to hurt. This honesty lets us move forward from loneliness. November 2019.
Convergence I
Morecambe, November 2019
Do you remember?
A thoughtful walk manifested through a combination of still images and words. May 2020
Observe
Milos, July 2019 As exhibited at Waterstone's Sauchiehall Street at Hawk collective's show Glider, March 2020
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Searching Waiting Found Doing Nothing Again
Vinyl Lettering installation in the glass elevator of Waterstones Sauchiehall street store, as part of Hawk's collective show Glider, march 2020
Bursting Stars
Vinyl Lettering - Installed poem in Waterstones Sauchiehall Street store from Hawk collective's show Glider, March 2020.
Couple by the Orange Trees I
Marrakech, december 2019
Depth and Quiet, 2019
As exhibited at New Glasgow Society West with Hawk collective's first exhibition, November 2019
Untitled, 2020, Silver Gelatin Print, Contact for price.
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Untitled, 2019, Framed Giclée Print, 36cm X 23cm, Edition 1/5, Contact for price.
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Untitled, 2018, Silver Gelatin Print, Contact for price.
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Untitled, 2019, Silver Gelatin Print, Contact for price
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Untitled, 2020, Giclée Print, Contact for price.
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Lotus Pod, 2020, Plaster Cast.
Untitled, 2019, Silver Gelatin Print, Contact for price.
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Untitled, 2019, Silver Gelatin Print, Contact for price.
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Horse, 2020, Framed (Non-reflective) Giclée Print, 85cm X 55cm, Edition 1/3, £685.
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Stillness that Arises from Movement
49,5 x 32 cm photo polymer, intaglio print, 2020
This item is for sale, please contact for more information.
Earth Wound
49,5 x 32 cm photo polymer, intaglio print, 2020
This item is for sale, please contact for more information.
MIND MAP I
51 x 67,5 cm embossment print, 2019
This item is for sale, please contact for more information.
MIND MAP II
31 x 44,5 cm embossment print, 2019
This item is for sale, please contact for more information.
Topographies of Self
33 x 70,5 cm digital collage print, 2020
This item is for sale, please contact for more information.
Ben More looking over Stob Binnein
38,9 x 57 cm digital Inkjet print, 2019
This item is for sale, please contact for more information.
Recording of a Journey. Glasgow to Ben More, Crianlarich
25,5 x 34 cm intaglio print, 2019
This item is for sale, please contact for more information.
River Veins
100 x 152 cm digital inkjet print, 2019
This item is for sale, please contact for more information.
Munro Wandering
100 x 152 cm digital inkjet print, 2019
This item is for sale, please contact for more information.
Bend Till You See Your World Upside Down IV
70 x 210 cm digital inkjet print, 2020
This item is for sale, please contact for more information.
In the River of Incense
Performance
Seen in the Dusk
Performance
TAO
Performance
Crossings
Performance
Hornbeam
Etching,15cmx 15cm, 2020
Price: £80
This item is for sale, please contact for more information.
Hornbeam
Etching,15cm x 15cm, 2020
Price: £80
This item is for sale, please contact for more information.
Rowan
Etching,15cm x 15cm, 2020
Price: £80
This item is for sale, please contact for more information.
Rowan
Etching,15cm x 15cm, 2020
Price: £80
This item is for sale, please contact for more information.
Oak
Etching,15cmx15cm, 2020
Price: £80
This item is for sale, please contact for more information.
Oak
Etching,15cmx15cm, 2020
Price: £80
This item is for sale, please contact for more information.
On Waiting
Tree Planting at Forres, March 2020
Acer Brilliantissimum
Etching,15cmx 15cm each, Edition of 18, 2020
Price: £100
This item is for sale, please contact for more information.
Etching series
Series of 30 etchings,each 15cmx15cm, 2020
This item is for sale, please contact for more information.
Lakeside
Oil Monoprint, Hahnemuhle paper, 100cm (h) x 80cm (w), 2020
Price: £200
This item is for sale, please contact for more information.
traces
Documentation of work created for live performance, recorded on 9 May 2020. Thank you Danny Pagarani for the camera work and the voice performance.
Monoprint series I
Beach series I
Monoprint series II
Untitled (rectangular figure with ‘lines cross paths’)
Beach series II
Beach series III
Beach series IV
Big thank you to Hannah Barker for going on this adventure with the figures and me.
beyond deeper depths
Screenprint 68.5 x 102 cm March 2020
Price: £35.00
This item is for sale, please contact for more information.
lines cross paths
Screenprint 51 x 68.5 cm March 2020 The text printed here was originally written for performance ‘shapes overlap’ . It also features on the rectangular figure in ‘Untitled (rectangular figure with ‘lines cross paths’)’.
Price: £25.00
This item is for sale, please contact for more information.
Move damn It
Charcoal on paper
Price: ££1750
This item is for sale, please contact for more information.
Shadows P2
Charcoal on paper
Price: £enquire
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Untitled
Pen and ink on paper
Price: £enquire
This item is for sale, please contact for more information.
My Shadows are Dancing
Ink on paper
Price: ££1430
This item is for sale, please contact for more information.
Egg
Pen and ink on paper
Price: ££1200
This item is for sale, please contact for more information.
One line, 1
Pen and ink on paper
Price: ££325
This item is for sale, please contact for more information.
One line, 2
Pen and ink on paper
Price: ££325
This item is for sale, please contact for more information.
One line, 3
Pen and ink on paper
Price: ££325
This item is for sale, please contact for more information.
One line, 4
Pen and ink on paper
Price: ££325
This item is for sale, please contact for more information.
Thrice
Charcoal on paper
Price: ££400
This item is for sale, please contact for more information.
Untitled
Exhibited at dialogue of failed languages, March 2020, Salt Space, Glasgow. A metal hoop that was found in a skip rotates slowly. As it rotates it catches onto a metal rod, creating a light, almost inaudible sound. Inside the plinth is an amplifier playing a pre-recorded audio track of the hoop being struck in a controlled environment. This sound is amplified, creating a much more resonant sound, akin to the Buddhist singing bowel. This creates the illusion that the light touch of the rod on the hoop is creating the deep resonant sound coming from the amplifier.
Hoop piece
Exhibited at the Old Hairdresser's
Screenshot (1242)
Installation shot of the simulated degree show that was created by a group of students. (dsSimulator2020). This show was organised by Ben Hall and I helped with modelling other people's artworks and I composed the the music for the starting menu.
Egg
Footage of the installation being used (participant is behind the camera)
Egg
Exhibited at the Glue Factory, 2019. Painted animation rendered into a virtual reality environment. The participant's can navigate around the scene using a motion controller hidden inside a painted egg.
Shared Visions
Grog ink with airbrush
Sick
A selection of collages made of airbrush drawings, photographed screen print/sculpture and digital art, with quotes from people talking about eating the poisonous red berries of the yew tree.
Glow Cloak
3M reflective screen print on fabric. Barefoot on the pine needles, under the cover of darkness.
Glow Veil
3M reflective screen print on fabric, hung on a yew tree
Night and Day
3M reflective print, on digital print. A work in progress, had to vacate the studios before I developed this piece, but I wanted to test hang it in the woods regardless.
Day and Night
3M reflective screen print on fabric. Another piece in development, I want to return to this idea but make the screen print interact more with the digital designs beneath it. Hung between 2 yew trees.
Strobe
Gif made with screenprint and digital collage.
Swirl
Swirl, 2019, Acrylic on Canvas, 125 x 100 cm
Price: £Please Contact
This item is for sale, please contact for more information.
Boat
Boat, 2020, Watercolour, Colour pencil, Acrylic on Canvas, 21 x 29 cm
Price: £Please Contact
This item is for sale, please contact for more information.
A comfortable place
A comfortable place, 2020, Colour Pencil, Acrylic and Watercolour on Paper, 43 x 70 cm
Price: £Please Contact
This item is for sale, please contact for more information.
Untitled
Untitled, 2020, Watercolour, Colour pencil, Acrylic on Paper, 84 x 118 cm
Price: £Please Contact
This item is for sale, please contact for more information.
Sleepwalking
Sleepwalking, 2020, Acrylic on Wood, 80 x 180 cm
Price: £Please Contact
This item is for sale, please contact for more information.
The Forest
The Forest, 2020, Watercolour, Colour pencil, Acrylic on Paper, 84.1 x 118 cm
Price: £Please Contact
This item is for sale, please contact for more information.
Blowing in the Green
Blowing in the Green, 2020, Acrylic on Canvas, 80 x 80 cm
Thank you for watering me.
Thank you for watering me, 2020, Acrylic on Canvas, 40 x 60 cm
This item is for sale, please contact for more information.
Chemical Dissociation
59.4 x 84.1cm, Oil Pastel On Paper, 2018
Price: £On Enquiry
This item is for sale, please contact for more information.
Under The Sun
150x210cm, Polychromos Pencil On Paper, 2018
Price: £On Enquiry
This item is for sale, please contact for more information.
The Truth Is Stranger Than Fiction (Observe)Two-Part Series
240x150cm, Charcoal And Mixed Media On Paper, 2017
Price: £On Enquiry
This item is for sale, please contact for more information.
The Truth Is Stranger Than Fiction (Reflected) Two-Part Series
150x240cm, Charcoal And Mixed Media On Paper, 2017
Price: £On Enquiry
This item is for sale, please contact for more information.
Cold Magnet
240x150cm, Charcoal On Paper, 2018
Price: £On Enquiry
This item is for sale, please contact for more information.
Chamber
59.4x84.1cm, Charcoal And Mixed Media On Paper, 2017
Price: £On Enquiry
This item is for sale, please contact for more information.
Paper Plane
170x250cm, Mixed Media On Paper, 2019
Price: £On Enquiry
This item is for sale, please contact for more information.
Kairos
150x240cm, Charcoal And PolyChromos Pencil On Paper, 2019
Price: £On Enquiry
This item is for sale, please contact for more information.
Vertex
240x150cm, Charcoal And Soft Pastel On Paper, 2020
Price: £On Enquiry
This item is for sale, please contact for more information.
Inside The Sun
(Work In Progress) 150x260cm, Charcoal On Paper, 2020
Price: £On Enquiry
This item is for sale, please contact for more information.
Digital Stage
digital collage including drawing, photography, and mixed medium sculptures
3057x4013
Washing Machine
Digital Image
3648x5472
This item is for sale, please contact for more information.
The Lost Word Kitchen
House paint, scrap wood, vinyl wood, collected and tied willow sticks and vibration speaker
approx. 1300mm x 1800mm x 2500mm
Packing up the Studio
Untitled
Pencil drawing on black paper
This item is for sale, please contact for more information.
Graphite Pencil on Paper
200mm x 200mm
This item is for sale, please contact for more information.
Untitled
Graphite Pencil on Paper
210x297
This item is for sale, please contact for more information.
Two Red Rectangles
Oil on paper
307 x 220 mm
untitled
gouache on watercolour paper
This item is for sale, please contact for more information.
untitled
gouache on watercolour paper
This item is for sale, please contact for more information.
Conference Call
Oil on Canvas, 135cm x 175cm
untitled
Oil on Canvas, 135cm x 175 cm
untitled
Graphite on paper
This item is for sale, please contact for more information.
untitled
Graphite on paper
This item is for sale, please contact for more information.
untitled
Pastel on MDF, 30 x 30cm
This item is for sale, please contact for more information.
untitled
Pastel on MDF, 30 x 30cm
This item is for sale, please contact for more information.
untitled
Charcoal on paper
This item is for sale, please contact for more information.
untitled
Charcoal on paper
This item is for sale, please contact for more information.
Enough seen, Enough had, Enough Known
Oil on Canvas, 160cmx240cm
Home sweet Home
Oil on Canvas, 109cmx155cm
Mercy
Oil on Canvas, 120cmx142cm
Untitled
oil on canvas, 90cmx135cm
untitled
oil on canvas , 48cmx45cm
Untitled
oil on canvas, 94cm x 139cm
Untitled
Digital - Oil painting edited on Photoshop
Untitled
Oil on Canvas and sculpture
Untitled
Miniature set
Untitled
Storyboard of a scene
Untitled
Paper Mache Horse's Head (Intended for costume)
Untitled
Sculpture (intended for film prop)
Portal
Miniature set
Untitled
Oil on Board
Aperture 1
Oil on Board
Aperture 2
Oil on Board
Untitled
Clay relief
'Bud Vase (Broken)'
Water Soluble Oil Paint on Canvas, 24 x 30 cm, 2020
This item is for sale, please contact for more information.
'Three Spouts'
Water Soluble Oil Paint on Canvas, 24 x 30 cm, 2020
This item is for sale, please contact for more information.
'Bud Vase'
Water Soluble Oil Paint on Canvas, 20 x 25 cm, 2020
This item is for sale, please contact for more information.
'Child's Pose'
Water Soluble Oil Paint on Canvas, 30 x 24 cm, 2020
This item is for sale, please contact for more information.
'Forward Fold'
Water Soluble Oil Paint on Canvas, 24 x 30 cm, 2020
This item is for sale, please contact for more information.
'Masked Figure'
Water Soluble Oil Paint on Canvas, 15 x 17.5 cm, 2020
This item is for sale, please contact for more information.
'Masked Figure + Cake'
Water Soluble Oil Paint on Canvas, 18 x 20 cm, 2020
This item is for sale, please contact for more information.
'Masked Figure (Crouching)'
Water Soluble Oil Paint on Canvas, 18 x 21 cm, 2020
This item is for sale, please contact for more information.
Untitled
Gouache, Acrylic and Ink on Canvas, 15 x 14 cm, 2020
This item is for sale, please contact for more information.
'Cake'
Water Soluble Oil Paint on Canvas, 16 x 12.5 cm, 2020
This item is for sale, please contact for more information.
'Child's Pose (In Colour)'
Oil on Canvas, 17 x 14 cm, 2020
This item is for sale, please contact for more information.
'Rest (in Blue)'
Gouache and Acrylic on Canvas, 17 x 14 cm, 2020
This item is for sale, please contact for more information.
'The Jester'
Water Soluble Oil Paint on Canvas, 20 x 25 cm, 2020
This item is for sale, please contact for more information.
'Cake (Eaten)'
Gouache on Paper, 16 x 14 cm, 2020
This item is for sale, please contact for more information.
Untitled
Gouache on Paper, 16.5 x 14.5 cm, 2020
This item is for sale, please contact for more information.
Untitled
Gouache and Ink on Paper, 12.6 x 11.5 cm, 2020
This item is for sale, please contact for more information.
Untitled
Gouache on Paper, 11.5 x 13.5 cm, 2020
This item is for sale, please contact for more information.
Untitled
Gouache on Paper, 13.2 x 10.6 cm, 2020
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'Cake (Study)'
Gouache on Paper, 14 x 9.7 cm, 2020
This item is for sale, please contact for more information.
INSTALLATION VIEW, 2020
EVOLUTION I, 2020
Digital Collage of 3D Studio Work In Progress
Studio Shot, 2020
Utopia of Dark Desires, 2020
Digital Collage of Physical 2D Works
Digital alternative to unrealized ideas.
Installation View, 2019
INVISIBLE ORDER II
Digital Collage
Untitled, 2020
Paper on MDF board, Pine, 58x83x1cm
Untitled, 2019
Found Packaging Paper on MDF board with Collage, Pine, 20x38x0.4cm
Unrealized Ideas, 2020
Untitled, 2020
MDF board, Pine, Acrylic Paint, Collage, 20x38x1.5 cm
Untitled (WIP), 2020
MDF board, Pine, Acrylic Paint, Collage, Frogtape, 20x38x1.5cm
Unfinished Business, 2020
PAUSE OR PAY
When You Pay for Things that You don't Get.
Movement
Oils on acrylic sheets and wood, 60cm x 60cm
This item is for sale, please contact for more information.
Parted
Oils on wood, 120cm x 120cmm
This item is for sale, please contact for more information.
Doll
Oils on wood, 140cm x 121cm
This item is for sale, please contact for more information.
Feet
Oils on wood, 140cm x 121cm
This item is for sale, please contact for more information.
Embodiment
Oils on wood, 60cm x 141cm
This item is for sale, please contact for more information.
Sitting
Oils on wood, 40cm x 40cm
This item is for sale, please contact for more information.
Looking up
Oils on wood, 40cm x 40cm
This item is for sale, please contact for more information.
Girls
Oils on wood, 120cm x 120cm
This item is for sale, please contact for more information.
Wilsons Prom
Oil on Mesh 135cm x115cm
This item is for sale, please contact for more information.
Whale Rock Green
Oil on Mesh 100cm x 100cm
This item is for sale, please contact for more information.
Whale Rock
Oil on Tracing Paper 3 A3 sheets layered
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Guardian
Oil on canvas, 120 x 90 cm, 2020
Price: £1500
This item is for sale, please contact for more information.
Reckoning
Oil on canvas, 180 x 120 cm
Price: £1750 for sale via AucArt.com
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The Eclipse
Oil on canvas, 120 x 90 cm
Price: £1500
This item is for sale, please contact for more information.
Unravel
Oil on canvas, 120 x 90 cm
Price: £1500
This item is for sale, please contact for more information.
The Swift Flies East
Oil on canvas, 109.5 x 79.5 cm
Price: £1350 for sale via AucArt.com
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Untitled
Oil on canvas, 120 x 90 cm
Price: £1500 for sale via AucArt.com
This item is for sale, please contact for more information.
Serpent Uwabami
Oil on Canvas, 75 x 53 cm
Price: £900
This item is for sale, please contact for more information.
Phase, version 1
Screenprinted zines, handbound on cream, black and translucent paper, 16 x 10.5 cm
Price: £ Enquire
This item is for sale, please contact for more information.
Phase, version 2
Screenprinted zines, handbound on black, cream and translucent paper, 16 x 10.5 cm
Price: £ Enquire
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Dog Days
Oil on canvas
100x130cm. 2020
Price: £1,750
This item is for sale, please contact for more information.
Counting Cycles
Oil on canvas
66x105cm. 2020
Price: £1,700
This item is for sale, please contact for more information.
Dog Days II
Installation. Oil on canvas, artificial grass, bark, wood
4x4m. 2020
Dendrochronology
Scrap pieces of wood
30x30cm. 2020
Price: £1,250
This item is for sale, please contact for more information.
Gazing
Oil on wood
60x90cm. 2019
Price: £1,650
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Jungle Walk
Oil on canvas, mdf and clay
70x100cm. 1x1m. 2020
Price: £2,550
This item is for sale, please contact for more information.
Dendrochronology II
Oil on canvas and scrap pieces of wood
75x105cm. 2020
Falling
Installation. Oil on wood, artificial grass, scrap pieces of wood
3x3m. 2020
Portrait Of A Tree
Oil on canvas
50x85cm. 2019
Price: £1,600
This item is for sale, please contact for more information.
Skidding
Oil on wood
20x40cm. 2020
Price: £1150
This item is for sale, please contact for more information.
O' Gnashing teeth of the earth
oil painting
Venus in Furs
oil painting
Man in the Sun, Glasgow
acrylic on canvas, 98cm x 80cm
Lilo Boy
acrylic on canvas, 99cm x 130cm
This item is for sale, please contact for more information.
Self Portrait
acrylic on canvas board, 35cm x 27cm
Plasticine Fernando Botero
plasticine on board, 30cm x 24cm-For this image, I made an interpretation of a still life painted by Fernando Botero. According to him, his chunky, voluptuous characters avoid being fat, instead “they're exaltation of form and volume” that I see as clearly relating to more classical ways of painting, particularly Picassos 1920's beach period that I love. Apparently, his real inspirations come from the Renaissance era and in his early career especially, he was very fond of Piero Della Francesca too. I thought it fitting to use one of his images “Still Life 1998” since its physical tangibility is similar to the nature of his work which relies so much on volume and weight of form. I asked myself, how can I justify making a version of the artist’s work? Botero made re- appropriated images of Renaissance art, so I make re-appropriated images of his.
Price: £ Price on Request
This item is for sale, please contact for more information.
Another One
plasticine on board, 40cm x 30cm
Price: £ Price on Request
This item is for sale, please contact for more information.
Sign Post
acrylic on canvas, 60cm x 50cm
Price: £ Price on Request
This item is for sale, please contact for more information.
Pause or Pay UK Manifesto
We need UK Art and Design Schools to listen to their student bodies and offer current students flexibility that is accessible for all students in the light of the COVID-19 Pandemic. We are fully in support of the NUS Student Safety Net Campaign but believe extra provisions must be made for studio-based learners. Given the lack of consultation and communication across the sector, we believe it is necessary that schools: • Guarantee that Higher Education Institutions will fight for the 2 year post-study visa extensions to be brought forward for 2020 graduates. And PAUSE • Opt-out of Virtual Learning for those students that do not believe it is a viable alternative to what they paid for. It is a physical impossibility and dangerous to suggest a continuation of certain artistic activities outside the studio and the safety of a workshop. • Guarantee a physical degree show for all their 2020 graduates* who wish to participate. This includes provisions for 2-3 months of full access to workshops and studios or bursaries to access external facilities. Or PAY • Appropriate refund to reflect the loss of teaching, studios, access to facilities which has been ongoing since the start of this year. * We are here to represent all students, including but not limited to: disabled students, students of colour, students at risk, students falling on financial hardship, students who do not feel safe at home, international students (including tier 4 visa holders), students without IT resources, neurodiverse students, mature students, students with caring responsibilities and students whose mental health has been negatively impacted by COVID-19. Pause or Pay was established to unite studio-based courses and highlight to our HEIs and the UK Governments that the mitigations for our issues due to the pandemic are not yet enough. Together our solidarity can transcend this crisis and change the future of arts education. Join us @pauseorpayuk Get in touch - pauseorpayuk@gmail.com Pause or Pay UK
Nets Trusses Ropes Bags
Some of the text comes from a found description of the way the fascial tissue (tissue that holds you together) operates as nets, trusses, ropes, pouches, tubes and bags. Weather systems, bodily systems and systems of understanding.
Moving clouds make me fall over
Paper, acrylic and oil paint on wooden board 153 x 80 cm
Sugar Paper Book
Coloured paper on sugar paper 30 x 42 cm Writing in paper cut-out. I’m watching the pattern of letters as they repeat and shift. An alternative writing process.
abric Hangings
Acrylic and oil paint, watercolour pencil and paper on blackout fabric Individual hangings: 153 x 50 cm Like human figures.
Infinife Possibilities
Gouache on canvas 57x77cm
This item is for sale, please contact for more information.
Isopod Isolation
Gouache on canvas 20x20cm
This item is for sale, please contact for more information.
Whale, Whale ,Whale
oil on canvas 62x92cm
This item is for sale, please contact for more information.
Excerpts from a Squid 1/5
Ink on paper a5
This item is for sale, please contact for more information.
Excerpts from a Squid 2/5
Ink on paper a5
This item is for sale, please contact for more information.
Dear Cod
oil on canvas 42x60cm
This item is for sale, please contact for more information.
'ChessPicnicBoard’
(Oil on Canvas with 3D Model Animation)
ChessPicnicBoard
(1.25x0.95m, Oil on Canvas)
Price: £100
This item is for sale, please contact for more information.
Seed Microcosm
(1.5x1.5m, Oil on canvas with JavaScript Code Sketch and Live Weather API)
Seed Microcosm
Demo video - visit the web app here: https://seed-microcosm.herokuapp.com/
Sweet Soil Toil
(Oil on canvas with JavaScript Code Sketch and Garden Audio Recordings)
Sweet Soil Toil
(1.35x1.6m, Oil on Canvas)
Price: £180
This item is for sale, please contact for more information.
Sun, Pots, Seat
(1.5x1.5m, Oil on canvas)
Price: £125
This item is for sale, please contact for more information.
Shower Simulator
(Oil and Gloss Medium Painting on canvas with Java code)
Shower Simulator
(1x0.6m, Oil and Gloss Medium Painting on canvas)
Price: £50
This item is for sale, please contact for more information.
Pause or Pay
Pause or Pay
Collection 1
Mix Media Collage (Screenprint, Acrylic, Coffee, Leather, Organza)
Price: ££ on request
This item is for sale, please contact for more information.
Collection 2
Mix Media Collage (Screenprint, Acrylic, Coffee, Leather, Organza)
Price: ££ on request
This item is for sale, please contact for more information.
Skin Series 1
Mix Media Collage (Vanta Black, Photo Transfer, Leather Thread)
Price: ££ on request
This item is for sale, please contact for more information.
Skin Series 2
Mix Media Collage (Vanta Black, Photo Transfer, Oil Pastel)
Price: ££ on request
This item is for sale, please contact for more information.
Fever Dreams
Photography slip decal, acetate, organza, acrylic and spray paint on canvas (2020)
‘Fever Dreams’ - photography slip decal, acetate, organza, acrylic and spray paint on canvas (2020)
Price: ££ on request
This item is for sale, please contact for more information.
Dill Pickle Print
Tracing Paper, Canvas, Metal Pins
Price: ££ on request
This item is for sale, please contact for more information.
Inner Love
Photography slip decal, acetate and acrylic on canvas (2020)
Price: ££ on request
This item is for sale, please contact for more information.
Bits Of You (And Me)
Photography slip decal, acetate and acrylic on canvas (2020)
Price: ££ on request
This item is for sale, please contact for more information.
Ruby's Dream
Acetate, photographic slip decal, acrylic and pins on canvas (2020)
Price: ££ on request
This item is for sale, please contact for more information.
He Smiles
Acetate, photographic slip decal, acrylic, charcoal and metal pin on canvas (2020)
Price: ££ on request
This item is for sale, please contact for more information.
Boyhood
Part of my series 'Boy's Will Be Boy's' (more of this series and others on my website)
Above Earth
For the Underworld
Noble Savage
Boys Riding Cyborg Dolphin
projection
'Dissociate Triangle'
Digital painting, 2020.
'Untitled (Meditation)'
3D animation, 2020
Mixed Media Digital Print
Price: £Price on Enquiry
This item is for sale, please contact for more information.
Mixed Media Digital Print
Price: £Price on Enquiry
This item is for sale, please contact for more information.
Mixed Media Digital Print
Price: £Price on Enquiry
This item is for sale, please contact for more information.
Mixed Media Digital Print
Price: £Price on Enquiry
This item is for sale, please contact for more information.
Mixed Media Digital Print
Price: £Price on Enquiry
This item is for sale, please contact for more information.
Mixed Media Digital Print
Price: £Price on Enquiry
This item is for sale, please contact for more information.
Illustrated Digital Print
Price: £Price on Enquiry
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I funerali non hanno discriminazioni
Lithography
Price: £150
This item is for sale, please contact for more information.
Le azioni hanno conseguenze
Oil on canvas 37cm*37cm
Price: £250
This item is for sale, please contact for more information.
Giorni di lavaggio in tempo di guerra
Oil on canvas 37cm*37cm
Price: £250
This item is for sale, please contact for more information.
Grande fuga
Oil on canvas 37cm*37cm
Price: £250
This item is for sale, please contact for more information.
La migliore camicetta M&S
Oil on canvas 37cm*37cm
Price: £250
This item is for sale, please contact for more information.
Angelo in pausa
Oil on canvas 30cm*30cm
Price: £250
This item is for sale, please contact for more information.
In tournée nella sua terra natale
Oil on canvas 30cm*30cm
Price: £250
This item is for sale, please contact for more information.
L1100332-1
Price: ££3000
This item is for sale, please contact for more information.
2 satinsculpture
Price: ££2000
This item is for sale, please contact for more information.
3 tashamanual
4 tashadiary
RealDoll 1
Digital photograph: taken from the RealDoll factory in San Marcos
Price: £POA (prints available, price varies depending on size)
This item is for sale, please contact for more information.
RealDoll 2
Digital photograph: taken from the RealDoll factory in San Marcos
Price: £POA (prints available, price varies depending on size)
This item is for sale, please contact for more information.
My Friend Tasha
Physical artist book, featuring the authentic RealDoll manual and Tasha's story, told in her own words.
Price: £65. All profits for this artist book will be split between Glasgow Women's Aid and another women's charity in New Jersey.
This item is for sale, please contact for more information.
My Friend Tasha
Video showing artist book
Price: £65. All profits for this artist book will be split between Glasgow Women's Aid and another women's charity in New Jersey.
This item is for sale, please contact for more information.
Refreshing, Exhilarating, Cleansing
Documentation of a multichannel video/installation work collages a number of small video collages (Video)
This item is for sale, please contact for more information.
Refreshing, Exhilarating, Cleansing [Excerpt]
The House
Video piece exploring threshold state and uncanny properties of 2d and 3d space
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Irresistible Influence
Portrait of the hypnotist Marshall Sylver. Oil and Charcoal on Paper (0.8x.0.5m)
Price: £Inquire for prices
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Sleep/Void
Oil and graphite on MDF (20x10cm)(10x10cm)
Price: £Inquire for prices
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Open wide
Pencil on paper (A3)
Price: £Inquire for prices
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/ONLY SALT AND SULPHUR LEFT IN PERGAMUM/
Oil painting on stretched canvas, 1500 x 1800 mm, 2019
Price: £Enquire
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/THE FORCED FRUITS OF TIPHSAH/
Oil painting on stretched canvas, 1500 x 1800 mm, 2019
Price: £Enquire
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/GOD DOESN'T WHISPER HE SCREAMS/
Oil painting on stretched canvas, 1500 x 1800 mm, 2020
Price: £Enquire
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/MASS REQUIEM/
Oil painting on stretched canvas, 1870 x 610 mm, 2019
Price: £Enquire
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/THE PALE HORSE OF DEATH/
Oil painting on coated MDF, 310 x 370 mm, 2020
Price: £Enquire
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/THE WHITE HORSE OF PESTILENCE/
Oil painting on coated MDF, 370 x 310 mm, 2020
Price: £Enquire
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/ DIADEM FOR WOUNDED SOULS /
Oil paint on primed LDF, 2020 Diptych size - 370 x 310 mm
Price: £Enquire
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/ MEMENTO MORI FOREVER FOREVER /
Oil on stretched canvas. 795 x 1140 x 50 mm. 2020
Price: £SOLD
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FRUIT BOWL GREEN-min
1/3 triptych Oil paint of primed LDF 2020 370 x 310 mm
Price: £Enquire
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FRUIT BOWL ORANGE
1/3 triptych Oil paint of