Next event:
ERINN SAVAGE – Performance
Tomorrow 15:00 GMT

School of Fine Art

The virtual showcase has been designed to enable graduating students the opportunity to show work to a public audience in this period of national and international lockdown. This initiative gives graduating students a platform to make a creative response to this unprecedented situation in which we, in the arts, can only meet in the virtual world. 

The virtual showcase represents the amazing work of our graduating cohorts, enabling them to present their ideas, working practices and artwork to a public audience. This is an opportunity to see the work produced during their time at The Glasgow School of Art and an important moment in difficult circumstances. It is a reflection upon, and testament to, the incredible work being made, its diverse and truly inspirational approaches to making and how art works in this brave new world.

The showcase profiles two distinct groups of students from the School of Fine Art: the work of the graduating BA Fine Art cohort including Painting and Printmaking, Sculpture and Environmental Art and Fine Art Photography and, the work of the graduating Master of Fine Art students. 

Everyone in the School of Fine Art would like to wish all of the graduating students the very best for their future.

Professor Alistair Payne
Head of the School of Art

Events

Scripts for Production, Modes of Forgiveness

Live: 29 May 2020 at 18:00

Scripts for Production, Modes of Forgiveness is a look backstage of the everyday life performance. Bodies fall in and out of digital sync as they begin to share one woman’s →

Stillness that Arises from Movement

49,5 x 32 cm photo polymer, intaglio print, 2020

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Earth Wound

49,5 x 32 cm photo polymer, intaglio print, 2020

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MIND MAP I

51 x 67,5 cm embossment print, 2019

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MIND MAP II

31 x 44,5 cm embossment print, 2019

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Topographies of Self

33 x 70,5 cm digital collage print, 2020

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Ben More looking over Stob Binnein

38,9 x 57 cm digital Inkjet print, 2019

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Recording of a Journey. Glasgow to Ben More, Crianlarich

25,5 x 34 cm intaglio print, 2019

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River Veins

100 x 152 cm digital inkjet print, 2019

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Munro Wandering

100 x 152 cm digital inkjet print, 2019

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Bend Till You See Your World Upside Down IV

70 x 210 cm digital inkjet print, 2020

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The sea is here, still (printed on pearl white paper, a diagonal line drawn with pencil). This is one of the examples of how the piece has evolved. Plans for displaying this would be to frame the piece and have it displayed with another piece of the sea with black shore, in which another line is drawn through.

Untitled, Installation with a fold upon paper on the wall, variation of The sea is here, still. This is the fold of a thing against a surface.

Image: detail screenshot from Untitled Installation on GSA Graduate Showcase. This is a found piece, in the absence of showing work in the physical space, I noticed a metaphor within the virtual space. The arch of leaves and their placement over the ‘sea is here, still’ is an enfolding, referencing the form of the sea wave.

Folding Skies

This piece has developed through layers of meanings.

General Detritus (Photographed)

General Detritus (Photographed)

General Detritus (Photographed)

General Detritus (Photographed)

General Detritus (Photographed)

General Detritus (Virtually Rendered)

General Detritus (Virtually Rendered)

General Detritus (Virtually Rendered)

General Detritus (Virtually Rendered)

Alternative Guide for Walking: Photographs

Alternative Guide for Walking responds to the outdoors as a space to discuss identity politics and community-based making. The project resulted in a publication, which included photographic and written work, produced both independently and collaboratively, whilst walking between Arrochar and Inveruglas. Each outcome included in the publication was made in response to a series of guidelines written by the group before the walk, which provided construct and intentions for making whilst walking. The overall project focused on providing new narratives and removing old preconceptions surrounding walking, forming a new outlook towards our environments and community groups.

Price: £on request

This item is for sale, please contact for more information.

Alternative Guide for Walking: Photographs

Alternative Guide for Walking responds to the outdoors as a space to discuss identity politics and community-based making. The project resulted in a publication, which included photographic and written work, produced both independently and collaboratively, whilst walking between Arrochar and Inveruglas. Each outcome included in the publication was made in response to a series of guidelines written by the group before the walk, which provided construct and intentions for making whilst walking. The overall project focused on providing new narratives and removing old preconceptions surrounding walking, forming a new outlook towards our environments and community groups.

Price: £ on request

This item is for sale, please contact for more information.

Alternative Guide for Walking: Publication

Black & white digitally printed 40 pages publication, perfect bound with soft cover, 12 x 20.5cm. A collaboration with Jess Hay, Sofie Keller and Silke Zapp. Originally presented at the Lunchtime Gallery, 2020. Writing within set guidelines and whilst producing photographic imagery forms new variables in language compared to writing freely. The text included within this page is a response to the following guideline: ‘When the space allows it, each split off and take as many steps as you feel necessary. Find a space for yourself and write a reflection on your surroundings.’ This pocket-sized guide has been designed to be recreated by others, which includes the guidelines towards the end of the book, so that others are encouraged to reconsider new forms of walking. This collaboration is a continuing project, with its next iteration being a public walk that invites others to walk with us and further expand the conversation.

Price: £ on request

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Something Now

A bare hand lifts to wipe screen-printed words from a glass surface with saliva as the glass swings back and forth, leaving a murky cloud of ink. Within this short moving image, the easy removal of language, memory and the fragility in emotion are each contemplated. With a strong focus on the layout and surface of the text, the flat perspective seen in the work forms a midway between a written or photographic work and a sculpture.

placeholder for a power of sorts ii

Silicone cast antlers, 23 x 63cm. These antlers cast in silicone lack the structural integrity of their porcelain counterparts, placeholder for a power of sorts i, creating a clear juxtaposition that reflects the removal of power, and fragility. Considered within this are the themes of gender politics, hunting, and ritualism.

Ropewalk (Stills)

A collaboration with Sean Kemp, consisting of a 20 minute performance and a sculptural installation at the Garment Factory, as part of the group show Hopelessly Devoted, 2019. Surrounding the ritual creation of a rope, Ropewalk is a dialogue focusing on the dynamics of power and migration. This work foregrounds the process of traditional rope-making methods, demonstrating the act of making as an act of healing. The movements constructing the rope are accompanied by spoken word and throughout both actions, the concepts of constraint, bonds and navigation are discussed.

Ropewalk (Stills)

A collaboration with Sean Kemp, consisting of a 20 minute performance and a sculptural installation at the Garment Factory, as part of the group show Hopelessly Devoted, 2019. Surrounding the ritual creation of a rope, Ropewalk is a dialogue focusing on the dynamics of power and migration. This work foregrounds the process of traditional rope-making methods, demonstrating the act of making as an act of healing. The movements constructing the rope are accompanied by spoken word and throughout both actions, the concepts of constraint, bonds and navigation are discussed.

Ropewalk: 609 Swallow

Black vinyl lettering, 2 x 13cm. Alongside the live performance, Ropewalk included a series of site specific installations of vinyl lettering. Throughout the building, a series of numbered swallows were placed in unsuspecting places, such as bathroom sinks, stairwells and lifts. The swallows are an indication and reflection of the script performed, to which the act of swallowing and the bird in migration are two pivotal motifs.

Scripts, or manifestos

Screen-printed textiles, each 74 x 270cm. Scripts, or manifestos is a five part series following a longer exploration of displaying language. The works are made to be activated by viewers, through being read aloud and turned on a hand built metal wringer, which allows the text to be read from either side by two viewers. Within this work, there is a consideration towards how language develops when read together, compared to being read alone. This is pertinent to the critique of broken systems, both within institutions and throughout political hierarchies, included in the text. The language reflects upon personal experiences as well as a universal human condition, written over a ten month period. It has developed through other forms of printed mediums and sound works.

Pause or Pay Campaign

As a graduating student at the Glasgow School of Art, I would like to state my support for the Pause or Pay Campaign. Please read the manifesto here: www.pauseorpayuk.org

Untitled, 2020, Silver Gelatin Print, Contact for price.

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Untitled, 2019, Framed Giclée Print, 36cm X 23cm, Edition 1/5, Contact for price.

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Untitled, 2018, Silver Gelatin Print, Contact for price.

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Untitled, 2019, Silver Gelatin Print, Contact for price

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Untitled, 2020, Giclée Print, Contact for price.

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Lotus Pod, 2020, Plaster Cast.

Untitled, 2019, Silver Gelatin Print, Contact for price.

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Untitled, 2019, Silver Gelatin Print, Contact for price.

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Horse, 2020, Framed (Non-reflective) Giclée Print, 85cm X 55cm, Edition 1/3, £685.

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Husband Frame #1

Husband Frame #2

Magician Frame #1

Husband

Magician Frame #2

Wife Frame

Husband Model

Works in Progress

Magician's Head

Magician's Head

Not Lost Just Somewhere Else series.

Digital Image. 2019.

Not Lost Just Somewhere Else series.

Digital Image. 2019.

Not Lost Just Somewhere Else series.

Digital Image. 2019.

Not Lost Just Somewhere Else Installation.

3x Backlit Film Print on Electroluminescent Light Panel & 4x Speakers. 2020.

NOT LOST JUST SOMEWHERE ELSE & ACHERONTIA INSTALLATION.

3x Backlit Film Print on Electroluminescent Light Panel, 4x Speakers & 2x Slide Projection. 2020.

Acherontia Development.

Slide Projection. 2020. Text by Patrick Süskind – excerpts from the novel Perfume.

[ ] series.

Resin & Acetate Print. 2019.

Price: £500

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[ ] series.

Resin & Acetate Print. 2019.

Price: £500

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[ ] series.

Resin & Acetate Print. 2019.

Price: £500

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[ ] Installation.

3x Resin & Acetate Print. 2020.

Lighter than air

Lighter than air

Good Country

hrough a study of place, material and memory, this project attempts to describe that which exist outside of language. It is a song to the natural world and the nature of joy, a celebration of that which remains undescribed.

Good Country

Untitled Greek film

This yet to be titled project follows a somewhat ambiguous drive into the cretian mountains. It is a personal archive that, despit the fleeting nature of time, speaks for the importance of exploration.

untitled WIP

A conversation between two mediums. Being both the camera and the clay, the maker and the archiver.

7 Trees

Multi-Channel Video, Sound Design: Otis Jordan, Additional Sounds Dexter Stokes Mellor. Germany, 2020. 23.73 seconds, is the fastest time any known person has run between these 7 trees in Bleckede. 

23.73 Sekunden ist die schnellste Zeit, die je ein Mensch zwischen diesen 7 Baumen in Bleckede gelaufen ist.

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Reed Thicket

Single Channel Video, 2020, Germany.

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Movement Development

Sketchbook pages, Development through movement and intuitive play, 2020, Bleckede. My method of making is a reaction to the outdoors. When encountering natural formations, they inspire me to use my body as a player, the slanted tree turned into the proscenium arch of a theatre, calling for action beneath.

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This item is for sale, please contact for more information.

Running

Sketchbook page, Bleckede 2020. Development through running, the reeds acted as visual instrument, the sound and the fragility of the plant became the play-element.

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Alternative Guide for Walking

Pages from Publication made in Collaboration with Jess Hay, Sofie Keller and Rosie Trevill. 2020, Scotland. A publication documenting a walk between Arrochar and Inveruglas. The work is photographic and written, produced both independently and collaboratively. Landscape has often been seen as a place for conquer, dominance and physical strength, this publication challenges these ideals, reverting the stereotypes and using walking and landscape as a safe space for conversation and free making. Veering away from the path is not just advised but encouraged. Four visual practitioners in collaboration, focusing on the outdoors as a space to discuss identity politics, and community-based making.

This item is for sale, please contact for more information.

As a Graduating student at the Glasgow School of Art, I would like to state my support for the Pause or Pay campaign. Please read the manifesto here: http://www.pauseorpayuk.org

red lorry, yellow lorry, blue car

3x3 grid of photos from the photography series ‘red lorry, yellow lorry, blue car’: a collection of over 100 photographs of red, yellow and blue cars together in and around Glasgow taken over 3 years. “Over the past 3 years living in Glasgow. When walking around the city, I’ve been spotting red yellow and blue cars all parked together in an array of different ways and circumstances. From vans, to minis, from lorries, to limos. These three colours of vehicle have been spotted all over this great city time and time again. For me personally when spotting these cars, I tell myself it is a sign of good luck and good things to come, as if the universe is looking out for me and has my back just like the three colours do” – extract from the zine

Price: £Available on request

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selection of zines

A selection of zines I’ve made throughout my time at GSA including: ‘BMX’, ‘I sneez in my sleep vol. 12’, ‘2-0’, ‘favorite is my favourite’, ‘grass ceiling’ (with captain arm band) , ‘bye bye wimbo’, ‘no signal’ and ‘red lorry, yellow lorry, blue car’.

Price: £Available on request

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The craziest gang member #4

Oil pastel and Crayola crayon on A2 paper. a collection of drawings of vinny jones taken from panini and merlin sticker books from when he played for Wimbledon fc. all drawings done in crayon and oil pastels. Also made into a zine and made back into stickers.

Price: £Available on request

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rhine-cone #1

A no waiting cone covered in 30,000 red, yellow and blue rhinestones on a rotating turntable.

Price: £Available on request

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bye bye wimbo, banger car 2

Colour film photograph taken at the last ever banger racing event at the Wimbledon stadium. Has been printed for exhibits in Glasgow and London scaled up to 107cm x 164cm.

Price: £Available on request

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sports direct sculptures

Acrylic paint on Air drying clay and glazed. 15cm x 16cm x 3cm (box) 10cm x 1.5cm (pen) A series of items that sports direct sell made out of clay and then painted. I have started this series during quarantine and am planning to keep on making more including sports direct playing cards, hot water bottles and extension leads.

Price: £Available on request

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ball #3

Felt tip pen on A4 yellow paper. 1 of 6 drawings of classic footballs drawn into rectangles.

Price: £Available on request

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no signal #7

Felt tip pen on canvas 12cm x 18cm. 1 of 12 drawings of a series of felt tip drawings on canvas about frustration taken from tv screens, computer monitors, projectors and other crap tech that i couldn’t get to work. Also made into a zine.

Price: £Available on request

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the craziest gang member #4

Oil pastel and Crayola crayon on A2 paper. a collection of drawings of vinny jones taken from panini and merlin sticker books from when he played for Wimbledon fc. all drawings done in crayon and oil pastels. Also made into a zine and made back into stickers.

Price: £Available on request

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hand crab / photograph from series titled ‘toss’

A colour film photography series an ongoing colour film photography series taken on a half frame camera. Photographs taken in various places and events in the UK since mid-2019. I am working on making this series into a book/zine when I am able to get my self to a good printer once quarantine has ended.

Price: £Available on request

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photo from ‘get home safe’ exhibition at living room gallery

Panoramic photograph from ‘get home safe’. A solo show curated by myself and gabby day at living room gallery. Show casing a range of different work including: sculptures, drawings, video work and photography. the room was filled with work on the walls, on the built in shelfs as well as the mantle piece also a TV showing a video piece in a little cubby hole. There where over 10 different bodies of work at this show and a packet of transform-a-snacks for everyone who came thru.

Price: £Available on request

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a collection of watchings, not far from the tree’

A collection of work from the simulated exhibition - a result of no degree show. This work consists of a dreamlike sequence, following the movement and migration of birds to light and freedom. The thinking comes from deep subconscious exploration which happens as we sleep. Satellites that roam the Earth’s orbit, pick apart our lives image by image but the thought of constantly being watched does not keep us up at night. To be free from watchings, but to be a watcher myself…the contradiction keeps me up at night.

Hand-Held Flight’

Plaster cast hand. Wire and gum strip bird model. 2020.

Price: £Available on request.

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The Practice of Watching’

Using small technologies to relate our experience beyond normal conventions. Being watched and being aware - how does the viewer respond? Captivated by our own digital reflection, yet we seek relief from digitisation. Consumed by the constant pressure of technology and our need to compete for speed, when we are confronted by our inclusion in this habit, we slow down. Nature of the human condition, evolution through the digital age. [The camera was to be hung in a model bird, flying above the degree show space, viewers being watched as they enter the room. Yet to be realised.]

above’

Printed publication. 2020.

Price: £Available on request.

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Not Me’

Chalk on blackboard. 2020.

Price: £Available on request.

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Drawings on cartridge paper. 2020.

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Bird’s Chirp’

Billions of years ago, two black holes collided. Each thirty times the mass of our sun, and releasing fifty times more energy than all the stars in the universe, in a fraction of a second, two black holes were overcome by colossal gravitational pull, forcing collision. Releasing gravitation waves that raced across the Universe for billions of years, we recorded their frequency. The sound was small and quiet, but distinct. It sounded as though a bird had chirped. Is this a message from the Universe? Hand embroidery. 2019.

Price: £Available on request.

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Chalk drawings on pavement. Amsterdam. 2019.

Price: £Available on request.

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a collection of watchings, not far from the tree’

An adapted degree show proposal for the simulated exhibition. Work produced during quarantine, without a studio, in my flat.

degree show proposal'

Degree show proposal, yet to be realised.

Altar

Digital Photograph, 2020

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Bittersweet Escape

Photographic Documentation of Cocktail, 2020

Rückenfigur

Digital Photograph, 2020

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The Elixir of Quietude

Photographic Documentation of Cocktail, 2020

Mind

Digital Photograph, 2020

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a storm, progress

(video stills), single channel video, 2020 (UK/Spain/South Africa)

a storm, progress

(video stills), single channel video, 2020 (UK/Spain/South Africa)

a storm, progress

(video stills), single channel video, 2020 (UK/Spain/South Africa)

a storm, progress

(video stills), single channel video, 2020 (UK/Spain/South Africa)

BREAK.FAST, I

2020 : 35 mm : 100 ISO : Colour Negative Film

BREAK.FAST, II

2020 : 35 mm : 100 ISO : Colour Negative Film

STITCHES

2019 - 2020 : 120 mm : 160 ISO : Colour Negative Film and Digital Paint

A Hole in the Sky

2019 : 120 mm : 160 ISO : Colour Negative Film

Observer

2019 : Moving Image : 51 seconds

Three

2019 : 120 mm : 400 ISO : Colour Negative Film

Untitled

2019 : 120 mm : 160 ISO : Colour Negative Film

Forest

2020 : Concrete

Studio-lab

2019 : 120 mm : 160 ISO : Colour Negative Film

Lichen

2020 : Digital Book : Moving Image : 21 seconds

Composite Space

2020 : Steel and Concrete

Bike

2019 : 120 mm : 160 ISO : Colour Negative Film

We Tell Ourselves Stories In Order To Survive

Materials: 8 stones 28cm x20cm x 7cm Snowcrete, Silver sand, Jesmonite pigment, text, sound Temporary public intervention that took place on the foreshore of Troon beach, Scotland, January 2020 In an effort to explore individual and collective mourning I made eight concrete slabs and I engraved on each of them a word. Once they were put in the foreshore, they formed the sentence “We Tell Ourselves Stories In Order To Survive”, an appropriation of Joan Didion’s famous nonfiction novel. The foreshore or littoral zone is the area of the shore between the high and low watermark and it is property of the Crown Estate according to UK law. It is a dividing line between the sea and the land. It signifies a border of its own right, an ambiguous territory between ownership and public rights, citizens and sovereign. This foreshore becomes a political space, a grey area of exception, in which both jurisdiction and citizenship are performed by individuals and the governing bodies. Drawing from contemporary border politics and Agamben’s “Bare life”, a term that characterises human condition in its lowest levels, as well as “zones of indistinction” such as detention centres where migrants live without rights and citizenship, I attempt to understand their experience, honour their presence and mourn their absence by creating an anti-monument for the marginalised and excluded. This intervention signifies a “zone of anomy” between law and lawlessness, autonomy and sovereign. An action and ephemeral performance that rejects notions of power in the public space.

IN THE END THERE WILL BE MORE, 2019 (ONGOING)

Materials: 10-inch Red Latex Balloons, Helium, Air, Text, Red Ribbon

Wendy Brown in her “Undoing of Demos” unravels how Neoliberal reason has affected civic life and how democratic ideas could be under threat by shifting the political character of a democratic regime to the economic one of Neoliberalism. This work is an attempt to discover ways of resisting in an era where virtually anything takes a form of exchange. Exploring the notion of collectiveness, I asked my peers to trust me with their anonymous most secret desire in an exchange for someone else’s. Without reading any of the text, I placed the paper inside the balloons filled with helium and my own breath. These desires were placed inside a fragile, innocent and at the same time violent object. Popping a balloon is a violent act, the sound is very similar to a gunshot. I wanted to observe how many people were willing to keep the desires safe and how many were willing to act “violently” in order to exchange theirs with someone else’s. The majority selected the latter, resulting in the burst of the objects while only a few were happy to give away their desires without receiving anything in return. These fourteen non-human entities have remained standing, free and resilient to modes of exchange. They transformed into a temporary autonomous public sphere. They acquired a life of their own; with my breath and other people’s “voice”, through their temporality, they become eternal.

Paddles

Silver Gelatin Print

1.1: Having grown up on a farm, agricultural life is an intrinsic part of my approach to the land. Throughout this past year, I have returned to the landscape of my adolescence, making images that speak, not of an unblemished landscape, but one that is worked, cultivated and bears the traces of those who live upon it. In these images, I wanted to evoke a conflict between freedom and isolation - its capacity for healing, as well as the dynamic of violence it inhabits.

Broom

Silver Gelatin Print

1.2: Within my work, motifs of agricultural rural life are evoked in pursuit of a question of identity. The notion of agriculture, in itself, seems to me to represent an exertion of control over an entity which is always necessarily changing - aways in flux. A life, then, spent at the mercy of the land, the weather and the ecosystem which comprises it, goes beyond ‘pathetic fallacy’ in my work. It was, rather, a fact of my upbringing and, as such, it is these same elements which coalesce, in my work, around ideas of trauma, sexual revelation and the formation of adolescent identity.

Fence

Silver Gelatin Print

Wasp Trap 1

Digital Image

2.1: In this series of 3D-modelled images, I looked at mechanisms of entrapment - specifically, wasp traps. Commonplace in farmhouse kitchens in late summer, these objects evoke a question of culpability. Understood from either perspective, the figures on either end of this system can be considered perpetrators or victims of violence

Wasp Trap 5

Digital Image

2.2: I have understood the figure of the wasp, that of a supposed pest species, in terms of my own queerness. Its treatment as a nuisance, as well as the effort towards containment, is represented in these traps, their very form alluding to the physiology of the wasp, as well as to erotic imagery.

Funnel Trap

Digital Image

2.3: These works are not presented in physical form, but rather as designs. I am interested in objects which pre-empt creation, delivering an emphasis on the conception of an object or system, tying the work more closely to the hand of its author. In this instance, the conception of the work - the effort to bring it into being - is a reflection of the artistic impulse to define and conclude upon an entity.

Buck

Video (Still)

3.1: Beginning with a script, this work tracks the becoming of a theatre play through documentation of its rehearsal. The story follows that of a horseman who is killed in battle, and whose saddle comes to life in order to exact revenge for its ill-treatment.

Buck

Excerpt from Script

3.2: The narrative is based on the Japanese myth of Tsukumogami, or “tools-spectres”. Within these tales, functional, inanimate objects inherit spiritual agency following maltreatment by their owners. Following their freedom, however, the spectres begin to enact their own malevolence, undoing our sympathy for them. This same trope of magical-becoming is prevalent in western culture in examples such as Charles Perrault’s “Peau d’Âne” and Aardman’s “Wallace and Gromit: The Wrong Trousers”.

Buck

Video (Still)

3.3: In bringing consciousness and animacy to the inert saddle, I wanted to tie its functionality to an idea of imprisonment. While the saddle is not the victim nor the perpetrator of entrapment (each role, in turn, embodied by the characters of the Rider and the Horse), it represents the tool, and, therefore, an ambiguous position in this dynamic of culpability.

Buck

Video (Still)

Buck

Excerpt from Script

Buck

Video (Still)

3.4: Working with performers, roles are not assigned to particular actors. Instead, various figures act out scenes repeatedly with changing roles, the video cut so as to fragment the narrative of the play. The conflict of the play loops back on itself endlessly, denying the viewer of the resolution that theatre normally would bring.

Ropewalk

Performance (Documentation)

4: In this collaboration with Rosie Trevill, made for the exhibition ‘Hopelessly Devoted’ (The Garment Factory, June 2019), we presented a performance work, utilising a script written between the two of us. The performance passes through a series of movements as we operate a handmade rope-making machine, reciting our text as we do so. The rope that we produced during the performance, as well as the words that we spoke, reflect a dichotomy between something that bonds and something that binds.

A sculptural piece imitating the movements and reflections of water giving the visitor the illusion of being in the landscape of the water.

As sun shines through the metal mesh, it shimmers like water.

‘Speaking to Water’ Practicing Ho’oponopono technique in Turkish with a glass of water. Seni seviyorum, özür dilerim, lütfen beni affet, teşekkür ederim - I love you, I’m sorry, please forgive me, thank you.

Creating reflections on the wall by manipulating the mesh with light.

Water is fluid, soft, and yielding. But water will wear away rock, which is rigid and cannot yield. As a rule, whatever is fluid, soft, and yielding will overcome whatever is rigid and hard. This is another paradox: what is soft is strong. -Lao Tzu

Photographic work, observation of the landscape.

Sacrosanct Statement

Icthys

Digital Image

Sun

Digital Image

Soil

Digital Image

Archangel

Digital Image

Icon

Digital Image

Pilgrim

Digital Image

Mother

Digital Image

Family

Digital Image

Likeness

Digital Image

Monument

Digital Image

Hold I

Athens, July 2019

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Watch

Agafay Desert, Morocco, December 2019

Across III

Marrakech, December 2019

Sailing Heart

Vinyl Lettering - Triptych of poems installed at Waterstones Sauchiehall Street store, for Hawk collective group Show: Glider, March 2020.

Intimacy

Vinyl Lettering - Triptych of poems installed at Waterstones Sauchiehall Street store, for Hawk collective group Show: Glider, March 2020.

Blood Moon's Kiss

Vinyl Lettering - Triptych of poems installed at Waterstones Sauchiehall Street store, for Hawk collective group Show: Glider, March 2020.

Breathe

A video encompassing spoken word upon themes of vulnerability and our admittance to hurt. This honesty lets us move forward from loneliness. November 2019.

Convergence I

Morecambe, November 2019

Do you remember?

A thoughtful walk manifested through a combination of still images and words. May 2020

Observe

Milos, July 2019 As exhibited at Waterstone's Sauchiehall Street at Hawk collective's show Glider, March 2020

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Searching Waiting Found Doing Nothing Again

Vinyl Lettering installation in the glass elevator of Waterstones Sauchiehall street store, as part of Hawk's collective show Glider, march 2020

Bursting Stars

Vinyl Lettering - Installed poem in Waterstones Sauchiehall Street store from Hawk collective's show Glider, March 2020.

Couple by the Orange Trees I

Marrakech, december 2019

Depth and Quiet, 2019

As exhibited at New Glasgow Society West with Hawk collective's first exhibition, November 2019

This Is the Trick

Digital video, 9min 21sec, 2020.

Climb

2019, Giclée Print 60 x 45cm, Edition 1/5 Framed

Price: £Contact for price

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Dip

2020, Giclée Print 60 x 45cm, Edition 1/5

Price: £Contact for price

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Edge

2020, Giclée Print 60 x 45cm, Edition 1/5

Price: £Contact for price

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Omission

2019, Giclée Print 64 x 85cm, Edition 1/5 Framed

Price: £Contact for price

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Flip

2019, Giclée Print 60 x 45cm, Edition 1/5

Price: £Contact for price

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Chamber

2019, Giclée Print 60 x 45cm, Edition 1/5

Price: £Contact for price

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'Gaps between Gaps' Exhibition

Stallan-Brand, Glasgow March - April 2020

'Climb' - Installation

'Gaps between Gaps' Exhibition

Price: £Contact for Price

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Generated Worlds

Randomly generated worlds coded in Python

In the River of Incense

Performance

Seen in the Dusk

Performance

TAO

Performance

Crossings

Performance

Movement

Oils on acrylic sheets and wood, 60cm x 60cm

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Parted

Oils on wood, 120cm x 120cmm

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Doll

Oils on wood, 140cm x 121cm

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Feet

Oils on wood, 140cm x 121cm

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Embodiment

Oils on wood, 60cm x 141cm

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Sitting

Oils on wood, 40cm x 40cm

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Looking up

Oils on wood, 40cm x 40cm

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Girls

Oils on wood, 120cm x 120cm

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Mixed Media Digital Print

Price: £Price on Enquiry

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Mixed Media Digital Print

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Mixed Media Digital Print

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Mixed Media Digital Print

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Mixed Media Digital Print

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Mixed Media Digital Print

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Illustrated Digital Print

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Pause or Pay UK Manifesto

We need UK Art and Design Schools to listen to their student bodies and offer current students flexibility that is accessible for all students in the light of the COVID-19 Pandemic. We are fully in support of the NUS Student Safety Net Campaign but believe extra provisions must be made for studio-based learners. Given the lack of consultation and communication across the sector, we believe it is necessary that schools: • Guarantee that Higher Education Institutions will fight for the 2 year post-study visa extensions to be brought forward for 2020 graduates. And PAUSE • Opt-out of Virtual Learning for those students that do not believe it is a viable alternative to what they paid for. It is a physical impossibility and dangerous to suggest a continuation of certain artistic activities outside the studio and the safety of a workshop. • Guarantee a physical degree show for all their 2020 graduates* who wish to participate. This includes provisions for 2-3 months of full access to workshops and studios or bursaries to access external facilities. Or PAY • Appropriate refund to reflect the loss of teaching, studios, access to facilities which has been ongoing since the start of this year. * We are here to represent all students, including but not limited to: disabled students, students of colour, students at risk, students falling on financial hardship, students who do not feel safe at home, international students (including tier 4 visa holders), students without IT resources, neurodiverse students, mature students, students with caring responsibilities and students whose mental health has been negatively impacted by COVID-19. Pause or Pay was established to unite studio-based courses and highlight to our HEIs and the UK Governments that the mitigations for our issues due to the pandemic are not yet enough. Together our solidarity can transcend this crisis and change the future of arts education. Join us @pauseorpayuk Get in touch - pauseorpayuk@gmail.com Pause or Pay UK

Nets Trusses Ropes Bags

Some of the text comes from a found description of the way the fascial tissue (tissue that holds you together) operates as nets, trusses, ropes, pouches, tubes and bags. Weather systems, bodily systems and systems of understanding.

Moving clouds make me fall over

Paper, acrylic and oil paint on wooden board 153 x 80 cm

Sugar Paper Book

Coloured paper on sugar paper 30 x 42 cm Writing in paper cut-out. I’m watching the pattern of letters as they repeat and shift. An alternative writing process.

abric Hangings

Acrylic and oil paint, watercolour pencil and paper on blackout fabric Individual hangings: 153 x 50 cm Like human figures.

Right where it ends

Oil on canvas 150 cm X 85 cm

Price: £1250

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Irrbloss

Oil on canvas 170 cm X 130 cm

Price: £1800

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End of the line

Oil on mdf 10 cm X 10 cm

The Nest

Series of 4, oil on mdf 22 cm X 15.5 cm

Price: £450

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The Nest

Series of 4, oil on mdf 22 cm X 15.5 cm

Price: £450

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The Nest

Series of 4, oil on mdf 22 cm X 15.5 cm

Price: £450

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The Nest

Series of 4, oil on mdf 22 cm X 15.5 cm

Price: £450

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You've Changed

22 cm X 15.5 cm

Price: £450

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Untitled (Meeting Room Plastic)

oil, acrylic, silicon, oil bar, graphite and tape on plastic displayed on MALMBACK, 150x180cm

Price: £1750

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Untitled (Electrical and Parcel)

oil and tape on canvas, 15x20cm

Price: £60

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Installation

mixed media

Price: £30, £1750, £60, £400

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UNTITLED (MARICUS) AND UNTITED (SVALLET)

oil, house paint and tape on canvas stood on tape, 60x80cm and oil pastel on faux leather, 15x20cm

Price: £300, £30

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Untitled (Pipes)

oil, acrylic, plastic,snap band, fabric, oil bar, plastic and graphite on plastic pipes, 60x100cm

Price: £300

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Untitled (Bicycle Wheel and Tube

oil, acrylic, gesso, wood, plastic, metal, tape, oil bar, house paint, tape and screenprint on canvas stood on bucket, 150x180cm

Price: £1750

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Installation

mixed media

Untitled (Interior Paint)

house paint on paper displayed on BILLY, 30x42cm

Price: £20 each

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Untitled BBQ

watercolour on paper, 30x42cm each

Price: £20 each

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Installation

mixed media

Price: £300, £30, £20

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Lockdown Studio Tour

Frolicking among the Flowerpots

A patchwork of hand-made naturally dyed fabrics, embroidered motifs and vegetable inks (111 cm x 83 cm)

Price: £1,000

This item is for sale, please contact for more information.

Frolicking among the Flowerpots (detail)

Ode to a Past Life

A patchwork of naturally hand dyed fabrics with fruits and vegetables combined with embroidery crochet and machine sewing (125 cm x 79.5 cm)

Price: £1,000

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Ode to a Past Life (detail)

A Place of Sunshine and Death

Handmade blueberry and beetroot inks on linen with embroidery and crochet (81 cm x 51 cm)

Price: £450

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Everything's Rosy

Embroidery, natural pigment and tea stains on bed linen with a patchwork of naturally dyed fabrics (45 cm x 43.5 cm)

Flowerpots

Pencil drawing (32 cm x 24 cm)

Price: £120

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The Place with the Stag on the Rock

Embroidery on a patchwork of hand-dyed fabrics using vegetables and the movements of the sea

Price: £300

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Swirl

Swirl, 2019, Acrylic on Canvas, 125 x 100 cm

Price: £Please Contact

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Boat

Boat, 2020, Watercolour, Colour pencil, Acrylic on Canvas, 21 x 29 cm

Price: £Please Contact

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A comfortable place

A comfortable place, 2020, Colour Pencil, Acrylic and Watercolour on Paper, 43 x 70 cm

Price: £Please Contact

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Untitled

Untitled, 2020, Watercolour, Colour pencil, Acrylic on Paper, 84 x 118 cm

Price: £Please Contact

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Sleepwalking

Sleepwalking, 2020, Acrylic on Wood, 80 x 180 cm

Price: £Please Contact

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The Forest

The Forest, 2020, Watercolour, Colour pencil, Acrylic on Paper, 84.1 x 118 cm

Price: £Please Contact

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Blowing in the Green

Blowing in the Green, 2020, Acrylic on Canvas, 80 x 80 cm

Thank you for watering me.

Thank you for watering me, 2020, Acrylic on Canvas, 40 x 60 cm

This item is for sale, please contact for more information.

Eat Your Top Marks

Eat Your Top Marks

Charcoal drawing on paper wrapped round a stretcher, 200 x 135 x 5 (cm)


Price: £1750

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Bottom Mark

Charcoal drawing on paper wrapped round a stretcher, 200 x135 x 5 (cm)


Price: £1750

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Top Marks

Charcoal drawing on paper wrapped round a stretcher, 200 x135 x 5 (cm)


Price: £1750

This item is for sale, please contact for more information.

Eat Your Top Marks

Clay original to plaster prototype to charcoal drawing instrument.

Eat Your Top Marks

Clay original to plaster mould to rubber tongue eraser.

Eat Your Top Marks

The studio with eraser tongues, charcoal dog paws, charcoal snout drawing tools and wooden dogs bodies turned into drawing instruments,

Eat Your Top Marks

Making dog snout drawing tools from hand sculpted original to casting.

Eat Your Top Marks

Cast dog snout drawing tool.

Neonates (Series 1) 1:1 Scale, Vancouver, Canada, 2019/2020

Neonates (Series 1) 1:1 Scale, Vancouver, Canada, 2019/2020

/ONLY SALT AND SULPHUR LEFT IN PERGAMUM/

Oil painting on stretched canvas, 1500 x 1800 mm, 2019

Price: £Enquire

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/THE FORCED FRUITS OF TIPHSAH/

Oil painting on stretched canvas, 1500 x 1800 mm, 2019

Price: £Enquire

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/GOD DOESN'T WHISPER HE SCREAMS/

Oil painting on stretched canvas, 1500 x 1800 mm, 2020

Price: £Enquire

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/MASS REQUIEM/

Oil painting on stretched canvas, 1870 x 610 mm, 2019

Price: £Enquire

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/THE PALE HORSE OF DEATH/

Oil painting on coated MDF, 310 x 370 mm, 2020

Price: £Enquire

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/THE WHITE HORSE OF PESTILENCE/

Oil painting on coated MDF, 370 x 310 mm, 2020

Price: £Enquire

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/ DIADEM FOR WOUNDED SOULS /

Oil paint on primed LDF, 2020 Diptych size - 370 x 310 mm

Price: £Enquire

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/ MEMENTO MORI FOREVER FOREVER /

Oil on stretched canvas. 795 x 1140 x 50 mm. 2020

Price: £SOLD

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FRUIT BOWL GREEN-min

1/3 triptych Oil paint of primed LDF 2020 370 x 310 mm

Price: £Enquire

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FRUIT BOWL ORANGE

1/3 triptych Oil paint of primed LDF 2020 370 x 310 mm

Price: £Enquire

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FRUIT BOWL BLUE-min

1/3 triptych Oil paint of primed LDF 2020 370 x 310 mm

Price: £Enquire

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RITES OF A GODHEAD

Graphite pencil and charcoal on bristol paper. 2019 400 x 600 mm

Price: £Enquire for print prices

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INSTALLATION VIEW, 2020

EVOLUTION I, 2020

Digital Collage of 3D Studio Work In Progress

Studio Shot, 2020

Utopia of Dark Desires, 2020

Digital Collage of Physical 2D Works

Digital alternative to unrealized ideas.

Installation View, 2019

INVISIBLE ORDER II

Digital Collage

Untitled, 2020

Paper on MDF board, Pine, 58x83x1cm

Untitled, 2019

Found Packaging Paper on MDF board with Collage, Pine, 20x38x0.4cm

Unrealized Ideas, 2020

Untitled, 2020

MDF board, Pine, Acrylic Paint, Collage, 20x38x1.5 cm

Untitled (WIP), 2020

MDF board, Pine, Acrylic Paint, Collage, Frogtape, 20x38x1.5cm

Unfinished Business, 2020

PAUSE OR PAY

When You Pay for Things that You don't Get.

Chemical Dissociation

59.4 x 84.1cm, Oil Pastel On Paper, 2018

Price: £On Enquiry

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Under The Sun

150x210cm, Polychromos Pencil On Paper, 2018

Price: £On Enquiry

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The Truth Is Stranger Than Fiction (Observe)Two-Part Series

240x150cm, Charcoal And Mixed Media On Paper, 2017

Price: £On Enquiry

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The Truth Is Stranger Than Fiction (Reflected) Two-Part Series

150x240cm, Charcoal And Mixed Media On Paper, 2017

Price: £On Enquiry

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Cold Magnet

240x150cm, Charcoal On Paper, 2018

Price: £On Enquiry

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Chamber

59.4x84.1cm, Charcoal And Mixed Media On Paper, 2017

Price: £On Enquiry

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Paper Plane

170x250cm, Mixed Media On Paper, 2019

Price: £On Enquiry

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Kairos

150x240cm, Charcoal And PolyChromos Pencil On Paper, 2019

Price: £On Enquiry

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Vertex

240x150cm, Charcoal And Soft Pastel On Paper, 2020

Price: £On Enquiry

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Inside The Sun

(Work In Progress) 150x260cm, Charcoal On Paper, 2020

Price: £On Enquiry

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Move damn It

Charcoal on paper

Price: ££1750

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Shadows P2

Charcoal on paper

Price: £enquire

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Untitled

Pen and ink on paper

Price: £enquire

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My Shadows are Dancing

Ink on paper

Price: ££1430

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Egg

Pen and ink on paper

Price: ££1200

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One line, 1

Pen and ink on paper

Price: ££325

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One line, 2

Pen and ink on paper

Price: ££325

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One line, 3

Pen and ink on paper

Price: ££325

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One line, 4

Pen and ink on paper

Price: ££325

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Thrice

Charcoal on paper

Price: ££400

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Shared Visions

Grog ink with airbrush

Sick

A selection of collages made of airbrush drawings, photographed screen print/sculpture and digital art, with quotes from people talking about eating the poisonous red berries of the yew tree.

Glow Cloak

3M reflective screen print on fabric. Barefoot on the pine needles, under the cover of darkness.

Glow Veil

3M reflective screen print on fabric, hung on a yew tree

Night and Day

3M reflective print, on digital print. A work in progress, had to vacate the studios before I developed this piece, but I wanted to test hang it in the woods regardless.

Day and Night

3M reflective screen print on fabric. Another piece in development, I want to return to this idea but make the screen print interact more with the digital designs beneath it. Hung between 2 yew trees.

Strobe

Gif made with screenprint and digital collage.

200°c = Dist 2.98,3

Through referencing imagery derived from an ultrasound of an enlarged cyst in my ovary, as well as concocting edible sculptures from my kitchen, this installation serves to depict a feeling of discomfort yet tenderness in regarding the processes that our bodies experience in ingesting, expelling and storing memory inside of themselves. May, 2020. [sugar, royal icing, hair, resin, UV resin, gelatine, plaster, pewter, encapsulated mould, steel, clay, clear PVC, soap, jewellery chains, sound reactive LED analogue circuits, LED tealights], audio; [Recordings of my stomach and heart].

200°c = Dist 2.98,3

Through referencing imagery derived from an ultrasound of an enlarged cyst in my ovary, as well as concocting edible sculptures from my kitchen, this installation serves to depict a feeling of discomfort yet tenderness in regarding the processes that our bodies experience in ingesting, expelling and storing memory inside of themselves. May, 2020. [sugar, royal icing, hair, resin, UV resin, gelatine, plaster, pewter, encapsulated mould, steel, clay, clear PVC, soap, jewellery chains, sound reactive LED analogue circuits, LED tealights], audio; [Recordings of my stomach and heart].

Untitled

Through referencing imagery derived from an ultrasound of an enlarged cyst in my ovary, as well as concocting edible sculptures from my kitchen, this installation serves to depict a feeling of discomfort yet tenderness in regarding the processes that our bodies experience in ingesting, expelling and storing memory inside of themselves. An installation piece from the group exhibition ‘Dialogue of failed languages’, March 2020. [sugar, royal icing, hair, UV resin, gelatin, pewter, sound reactive LED analogue circuits, LED tealights], audio; [Recording of my heart].

Pause or Pay Manifesto

Refreshing, Exhilarating, Cleansing

Documentation of a multichannel video/installation work collages a number of small video collages (Video)

This item is for sale, please contact for more information.

Refreshing, Exhilarating, Cleansing [Excerpt]

The House

Video piece exploring threshold state and uncanny properties of 2d and 3d space

This item is for sale, please contact for more information.

Irresistible Influence

Portrait of the hypnotist Marshall Sylver. Oil and Charcoal on Paper (0.8x.0.5m)

Price: £Inquire for prices

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Sleep/Void

Oil and graphite on MDF (20x10cm)(10x10cm)

Price: £Inquire for prices

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Open wide

Pencil on paper (A3)

Price: £Inquire for prices

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Man in the Sun, Glasgow

acrylic on canvas, 98cm x 80cm

Lilo Boy

acrylic on canvas, 99cm x 130cm

This item is for sale, please contact for more information.

Self Portrait

acrylic on canvas board, 35cm x 27cm

Plasticine Fernando Botero

plasticine on board, 30cm x 24cm-For this image, I made an interpretation of a still life painted by Fernando Botero. According to him, his chunky, voluptuous characters avoid being fat, instead “they're exaltation of form and volume” that I see as clearly relating to more classical ways of painting, particularly Picassos 1920's beach period that I love. Apparently, his real inspirations come from the Renaissance era and in his early career especially, he was very fond of Piero Della Francesca too. I thought it fitting to use one of his images “Still Life 1998” since its physical tangibility is similar to the nature of his work which relies so much on volume and weight of form. I asked myself, how can I justify making a version of the artist’s work? Botero made re- appropriated images of Renaissance art, so I make re-appropriated images of his.

Price: £ Price on Request

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Another One

plasticine on board, 40cm x 30cm

Price: £ Price on Request

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Sign Post

acrylic on canvas, 60cm x 50cm

Price: £ Price on Request

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Crowdsourcing

Procedural Drama

Pause or Pay

I, as a graduating student at the Glasgow School of Art, would like to state my support for the Pause or Pay Campaign.

'Dissociate Triangle'

Digital painting, 2020.

'Untitled (Meditation)'

3D animation, 2020

Massacre of the Morally Ambiguous (After Rubens)

Oil on Canvas, 2.2 x 2.5m

Price: £4750

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Massacre of the Morally Ambiguous (After Rubens) (detail)

Oil on Canvas, 2.2 x 2.5m

Price: £4750

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Statistical Phantoms

Oil on Canvas, 1 x 1.6m

Price: £1700

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Thumb Slipped!

Oil on Canvas, 90 x 120cm

Price: £1500

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How Dare You

Oil on Canvas, 1.5 x 2m

Price: £2150

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How Dare You (detail)

Oil on Canvas, 1.5 x 2m

Price: £2150

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Afterlife Sentence

Woodcut Print on Paper, 62 x 93cm

Price: £350

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A Single Scroll

Oil on Canvas, 1.4 x 1.8m

Price: £1750

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Blissful Ignorance

Oil on Canvas, 1.5 x 1.5m

Price: £1950

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If You Didn't Laugh You'd Cry

Oil on Canvas, 1.3 x 1.5m

Price: £1850

This item is for sale, please contact for more information.

L1100332-1

Price: ££3000

This item is for sale, please contact for more information.

2 satinsculpture

Price: ££2000

This item is for sale, please contact for more information.

3 tashamanual

4 tashadiary

RealDoll 1

Digital photograph: taken from the RealDoll factory in San Marcos

Price: £POA (prints available, price varies depending on size)

This item is for sale, please contact for more information.

RealDoll 2

Digital photograph: taken from the RealDoll factory in San Marcos

Price: £POA (prints available, price varies depending on size)

This item is for sale, please contact for more information.

My Friend Tasha

Physical artist book, featuring the authentic RealDoll manual and Tasha's story, told in her own words.

Price: £65. All profits for this artist book will be split between Glasgow Women's Aid and another women's charity in New Jersey.

This item is for sale, please contact for more information.

My Friend Tasha

Video showing artist book

Price: £65. All profits for this artist book will be split between Glasgow Women's Aid and another women's charity in New Jersey.

This item is for sale, please contact for more information.

star2.jpg

Dominika, 2019

Dominika, 2019

Untitled

Slovakia, 2020

Slovakia, 2020

I funerali non hanno discriminazioni

Lithography

Price: £150

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Le azioni hanno conseguenze

Oil on canvas 37cm*37cm

Price: £250

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Giorni di lavaggio in tempo di guerra

Oil on canvas 37cm*37cm

Price: £250

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Grande fuga

Oil on canvas 37cm*37cm

Price: £250

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La migliore camicetta M&S

Oil on canvas 37cm*37cm

Price: £250

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Angelo in pausa

Oil on canvas 30cm*30cm

Price: £250

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In tournée nella sua terra natale

Oil on canvas 30cm*30cm

Price: £250

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Hornbeam

Etching,15cmx 15cm, 2020

Price: £80

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Hornbeam

Etching,15cm x 15cm, 2020

Price: £80

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Rowan

Etching,15cm x 15cm, 2020

Price: £80

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Rowan

Etching,15cm x 15cm, 2020

Price: £80

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Oak

Etching,15cmx15cm, 2020

Price: £80

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Oak

Etching,15cmx15cm, 2020

Price: £80

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On Waiting

Tree Planting at Forres, March 2020

Acer Brilliantissimum

Etching,15cmx 15cm each, Edition of 18, 2020

Price: £100

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Etching series

Series of 30 etchings,each 15cmx15cm, 2020

This item is for sale, please contact for more information.

Lakeside

Oil Monoprint, Hahnemuhle paper, 100cm (h) x 80cm (w), 2020

Price: £200

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traces

Documentation of work created for live performance, recorded on 9 May 2020. Thank you Danny Pagarani for the camera work and the voice performance.

Monoprint series I

Beach series I

Monoprint series II

Untitled (rectangular figure with ‘lines cross paths’)

Beach series II

Beach series III

Beach series IV

Big thank you to Hannah Barker for going on this adventure with the figures and me.

beyond deeper depths

Screenprint 68.5 x 102 cm March 2020

Price: £35.00

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lines cross paths

Screenprint 51 x 68.5 cm March 2020 The text printed here was originally written for performance ‘shapes overlap’ . It also features on the rectangular figure in ‘Untitled (rectangular figure with ‘lines cross paths’)’.

Price: £25.00

This item is for sale, please contact for more information.

I'm fine. You?

1min 44sec

Dancing bears

Oil pastel on paper, 13.7 x 20.8cm

Price: £25

This item is for sale, please contact for more information.

HEHEHEHEHEHEHE

Screen print on paper, 30 x 42cm

Price: £55 (limited edition of 6)

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How can I live in this world?

Mixed media on Canvas, 24 x 30cm

Price: £250

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I hope you can reach to my love

Mixed media on paper, 21 x 29.7cm

Price: £25

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I hope you can reach to my loves

Mixed media on Canvas, 19.5 x 23cm ,2020

Price: £150

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Life

Colored pencil on paper, 13.7 x 20.8cm

Price: £25

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Life

Mixed media on Canvas, 30 x 40cm, 2019

Price: £250

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Hugging my fear

Mixed media on paper, 27.2 x39.3cm

Price: £25

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Touch

Colored pencils on paper, 13.7 x 20.8cm

Price: £25

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Us ii

Screen print on paper, 21 x 29.7cm ,2019, (limited edition of 9)

Price: £30 (limited edition of 9)

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Us

Colored pencil on paper, 13.7 x 20.8cm

Price: £25

This item is for sale, please contact for more information.

'The Art of Living on a Damaged Planet'

W.F.H, Installation View, Oil on Linen, 160cm x 130cm, 2020

Price: £1600

This item is for sale, please contact for more information.

'The Art of Living on a Damaged Planet'

Oil on Linen, 2020

Price: £email for enquires

This item is for sale, please contact for more information.

'The Art of Living on a Damaged Planet'

Oil on Linen, 2020

Price: £email for enquires

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'Myceliated Running'

Mycelium, 3D Model, 15cm x 9.5cm x 10cm + 15cm x 9cm x 12cm, 2020

Price: £email for enquires

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'The Art of Living on a Damaged Planet'

W.F.H, Installation View, Acrylic Plinth, 3D Model, 140cm x 40cm x 40cm, 2020

Price: £email for enquires

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'Block'

16 Nicholson Street, Installation View, Sawdust Substrate, Plastic Bag, Naturally Dyed Linen, Supreme Trainers

Price: £email for enquires

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'The Art of Living on a Damaged Planet'

16 Nicholson Street, Installation View, 3D Model, Supreme Trainer

Price: £email for enquires

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'The Art of Living on a Damaged Planet'

16 Nicholson Street, Installation View, Oil on Linen, Logs, Oil on Turkey Tails, 3D Models, Acrylic Plinth

Price: £email for enquires

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'The Art of Living on a Damaged Planet'

Simulated Degree Show

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

21x14.5 cm graphite on sugar paper

Price: £50

This item is for sale, please contact for more information.

Infinife Possibilities

Gouache on canvas 57x77cm

This item is for sale, please contact for more information.

Isopod Isolation

Gouache on canvas 20x20cm

This item is for sale, please contact for more information.

Whale, Whale ,Whale

oil on canvas 62x92cm

This item is for sale, please contact for more information.

Excerpts from a Squid 1/5

Ink on paper a5

This item is for sale, please contact for more information.

Excerpts from a Squid 2/5

Ink on paper a5

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Dear Cod

oil on canvas 42x60cm

This item is for sale, please contact for more information.

Encounter

mixed media, installation

Encounters

mixed media, installation

Encounters

mixed media, installation

Encounters

mixed media, installation

Traces

Acrylic paint and earth canvas, (123.1cmx 159.5cm) Off stretcher

Price: £850

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Patterns in the Puddles

Earth and pigment on board, (25x30cm)

Bark of a Tree

Charcoal on calico, mounted on board. (60x120cm)

Price: £580

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Terrain

Etching, (24x16.8cm)

Bigger than me 1/2

Etching, (10x 10cm)

Price: £275

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Bigger than me 2/2

Etching, (10x 10cm)

Price: £275

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untitled

graphite and chalk on paper

interior

oil on canvas

Price: £700

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O' Gnashing teeth of the earth

oil painting

Venus in Furs

oil painting

Untitled

Exhibited at dialogue of failed languages, March 2020, Salt Space, Glasgow. A metal hoop that was found in a skip rotates slowly. As it rotates it catches onto a metal rod, creating a light, almost inaudible sound. Inside the plinth is an amplifier playing a pre-recorded audio track of the hoop being struck in a controlled environment. This sound is amplified, creating a much more resonant sound, akin to the Buddhist singing bowel. This creates the illusion that the light touch of the rod on the hoop is creating the deep resonant sound coming from the amplifier.

Hoop piece

Exhibited at the Old Hairdresser's

Screenshot (1242)

Installation shot of the simulated degree show that was created by a group of students. (dsSimulator2020). This show was organised by Ben Hall and I helped with modelling other people's artworks and I composed the the music for the starting menu.

Egg

Footage of the installation being used (participant is behind the camera)

Egg

Exhibited at the Glue Factory, 2019. Painted animation rendered into a virtual reality environment. The participant's can navigate around the scene using a motion controller hidden inside a painted egg.