The pandemic has spurred the need for spontaneous experimentation and provided an unexpected opportunity for innovation to complement tradition. Designers globally have had to adapt digital innovation and devise new →

Textile Design – Embroidery. Inspired by the repetitive form and structure found in the environment surrounding me, I set out to create a collection of bold, statement textiles for fashion. →

Textile Design – Print My work primarily began looking at the indentations caused by the erosion of rocks, considering the line, shape and composition of these cavities. Layering always seems →

Fashion Design I’ve been responding to narratives through sculpting ice, knit samples, digital illustration, and moving image. Many will do anything to achieve a dream. Perhaps it’s a universal human condition. →

Textile Design – Knit. My work is inspired by natural shapes in landscapes and aerial views of places in Scotland that I’ve visited. Using these shapes and forms I made →

Textile Design – Weave. This project was inspired by colours of Larry Sultan’s: Pictures from Home photography book that I love dearly. I love looking at photography and graphic images →

Textile Design – Embroidery. Statement:  Inspired by sensory collected items, I’ve created an eclectic collection of tactile surfaces & objects which can be combined in various, fun ways. Constructing  from found →

Textile Design – Print. My prints for this collection were inspired by editorial shoots and graphics from a selection of magazines I have collected during lockdown. I worked to create →

Textile Design – Embroidery. My work embodies embroidery techniques which connect, distort and manipulate materials. My primary research has focused on extracting colour, textures and visual details from film stills →

Fashion Design. The inspiration behind my collection began with looking into 1970’s men’s underwear ads. I was drawn to the camp and homoerotic nature of these ads, more specifically the →

Fashion Design. A subversion of the rites of womanhood. Embracing the monstrous feminine, allowing it to twist and control and contort into something that degrades more than it celebrates. It’s →

Textile Design – Embroidery Through collaging with images found within a Public Domain archive, I have created new imagery to draw from and experiment with. I have taken an emblem-like →

Textile Design – Knit. The inspiration for my project was taken from my flat during Lockdown. Being stuck inside forced me to see the space differently, and appreciate the colours, →

Textile Design – Embroidery. My collection is based on my two cultures and the practice we use towards garment making, I had used the scrap pieces given when a garment →

Fashion Design. For this particular project I felt compelled to explore the inner workings of climbing gear, and the environment it is used in, from a knit perspective. Excursions to →

Textile Design – Print. My work this semester is inspired by the forests and landscapes of the place I grew up, in the highlands near Inverness. In the first lockdown →

Fashion Design. The concept of this series is the monster guardian, creating a guardian for children. Inspired by Wild Mann, Wild Mann are creatures found in various pagan traditions throughout →

Textile Design – Knit. Drawing inspiration from repetitive architectural ornaments and features, I used simple paper manipulation and collaging processes to begin this project. I narrowed a variety of knit →

Textile Design – Knit I have taken influence from sculptors such as Brancusi and Barbara Hepworth. Using elements of sculpted pieces and distorting them to start the drawing process. I →

Fashion Design Sustainability and responsible design have always been at the back of my mind when designing. My project is centred around re-using and de-constructing pre-existing pieces to create something →

Textile Design – Weave. Statement – I collected images from the Glasglow exhibition taking the shapes and creating colour palette from collaged photos. I enjoyed experimenting with a range of materials →

Textile Design – Embroidery My starting point was the Supermarket; I like to use what I have accessible to me from the onset of a project and it worked in →

Fashion Design. Inspired by the Green Screen, Gardening and Early Internet Utopias. This collection is indeed an unapologetic homage to the early women in tech who believed technological advancements could →

Fashion Design. You can find out more about the students and the Showreel at www.gsafashionshow2021.com. Instagram

Fashion Design. You can find out more about the students and the Showreel at www.gsafashionshow2021.com. Instagram

Textile Design – Knit. Situational perspective of lockdown spent looking after my son and experience of constrictions imposed on one’s reality has influenced the design of my textiles. This being reflected →

Textile Design – Weave. This project is based on found photographs of family outings before covid. My aim was to use the vibrant colours in children’s ball pools and within →

Textile Design – Weave.   You can find out more about the students and the Showreel at www.gsafashionshow2021.com

Textile Design – Knit. I have been looking at the textures and colours from different wild landscapes I have visited throughout lockdown. I have tried to convey these landscapes through →

Fashion Design. You can find out more about the students and the Showreel at www.gsafashionshow2021.com. Instagram

Textile Design – Print. The source of inspiration for this collection, came from details and patterns found on boats, such as ropes, netting, sails, chains etc. Throughout the designing process →

Fashion Design. My collection is titled ‘Down in the Dumps’. I felt low over lockdown, being crammed into a small space. All my belonging overwhelming me. I started to look →

Fashion Design. The concept behind my project focuses on my finding of a subtlety amongst the extravagance and unrestrained nature of theatre and performance. Through the use of only up-cycled materials, →

Textile Design – Embroidery.   You can find out more about the students and the Showreel at www.gsafashionshow2021.com

Textile Design – Weave. For this woven collection I took inspiration from the beach as I found it a relaxing escape from the current Covid situation. Selecting a colour palette →

Textile Design – Print. With limited access to regular materials and resources during lockdown at home in Skye, I have been challenged this term to find alternative print solutions. Developed →

Textile Design – Print. By creating a still life set up using mundane objects I sourced photographs to use as my starting point to draw out elements of colour and →

Fashion Design. My collection is a collation of delicate handmade techniques and vintage tailoring; in which I am contrasting flowing, 1970’s inspired dresses with the durability and style of denim →

Textile Design – Print. For this collection of prints, I gathered inspiration from colour and shape in the urban environment, translating this through painting and spontaneous mark-making. I seek to convey →

Fashion Design. American style; The Pageant Sweetheart, Grandma’s Little Brat and The Trailer Park Queen. Together creating a Pick n Mix of flashy, sickly sweet and gaudy outfits. Reworking the →

Fashion Design. You can find out more about the students and the Showreel at www.gsafashionshow2021.com. Instagram

Textile Design – Print. Inspired by a still life I set up, as well as colour and form from quotidian walks, my collection captures the subtleties of shadows and multiflorous →

Textile Design – Knit. I was inspired by the Memphis design movement and focused on capturing its linear structures and bold shapes in my photography. I focused on capturing interesting →

Proaction: how emerging architects are confronting the issues of today’s precarious world. The 2019/2020 edition sets out to explore the ways that current students, tutors and practitioners are responding to →

Students were asked to consider the changing relationship between Sustainable Development and the Global South. Working with experts from the Sustainable Futures in Africa Network; the project’s partner, and academics →

A Stage 5 Study of Glasgow, Mackintosh School of Architecture. WHAT DOES ETHICS MEAN FOR GLASGOW? This is the question the students of Stage 5 have posed, conducting urban investigations →

A look at work by Painting and Printmaking graduate Sam M Harley. A chance to see how she has been managing to create work since lockdown as well as an →